[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:para-machucar-meu-coracao":3},"title: Para Machucar Meu Coração\ncomposer: Ary Barroso\nstyle: Bossa Nova\nkey: Eb\nform: AAB, 64 bars\nrecording: Stan Getz & João Gilberto; Getz\u002FGilberto; Verve; 1964\nyoutube: kJtr5JwgrHM\n# analysis: 2026-10-28, rules v2; Eb\n# recording: recorded 18-19 March 1963, A&R Studios, New York, with Antonio Carlos Jobim, prod. Creed Taylor (Verve V6-8545), released March 1964; the version jazz players learn it from (rule 2); sources: Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Getz\u002FGilberto (mono version), 5:06\n\nsection: A\n1  | EbMaj7    # tonic: the 4th is in the key\n2  | F#dim7    # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n3  | Fm7       # ii of Bb7: Dorian\n4  | Fm7\n5  | Bb7       # V7\u002FI in Eb: natural tensions\n6  | Bb7b9#5   # V7 of Eb: b9, #11 and b13 from the symbol\n7  | Eb69      # tonic: the 4th is in the key\n8  | Bb7#5     # extended dominant: V7 of Eb9; #11 and b13 from the symbol\n9  | Eb9       # V7\u002FIV in Eb: natural tensions\n10 | Eb9\n11 | AbMaj7    # the Eb9 before it makes Ab the key of the moment: the 4th is in the key\n12 | AbMaj7\n13 | Abm6      # a minor sixth chord: Dorian\n14 | Abm6\n15 | EbMaj7\u002FG  # tonic: the 4th is in the key\n16 | EbMaj7\u002FG\n17 | F#dim7    # passing diminished: a rootless dominant ♭9\n18 | F#dim7\n19 | Fm7       # ii: Dorian, the key’s own notes\n20 | C7b13     # V7\u002Fii in Eb: the b13 is in the key\n21 | Fm7       # ii of the ii–V to Eb\n22 | Bb7b9     # V7 of Eb: the b9 from the symbol\n23 | EbMaj7    # tonic: the 4th is in the key\n24 | Bb7#5     # V7 of Eb: #11 and b13 from the symbol\n25 | Eb69      # tonic: the 4th is in the key\n26 | Fm7       # ii of the ii–V to Eb\n27 | Bb7       # V7 of Eb: natural tensions\n28 | EbMaj7    # tonic: the 4th is in the key\n29 | Cm9       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@ending 1 24\n@ending 2 25 29\n\nsection: B\n1  | Fm7       # ii of Bb7: Dorian\n2  | Bb7       # V7\u002FI in Eb: natural tensions\n3  | G13       # III7 in Eb, not resolving: the b9 is in the key, the 13 from the symbol\n4  | G7b13     # extended dominant: V7 of C7b9; b13 from the symbol\n5  | C7b9      # extended dominant: V7 of F9; b9 from the symbol\n6  | C7b9\n7  | F9        # II7 in Eb, not resolving: natural tensions\n8  | Cm6\u002F9     # a minor sixth chord: Dorian\n9  | F13       # V7\u002FV in Eb: natural tensions\n10 | F7b13     # II7 in Eb, not resolving: the b13 from the symbol\n11 | Fm7       # ii of the ii–V to Eb\n12 | Bb7b9     # V7 of Eb: the b9 from the symbol\n",1793484802364]