[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pannonica":3},"title: Pannonica\ncomposer: Thelonious Monk\nstyle: Ballad\nkey: C\nform: AABA, 33 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–3)\n1 | CMaj7   # tonic: the 4th is in the key\n2 | Ebm7    # ii of Ab7: Dorian\n2 | Ab7     # extended ii–V: a side-step, its own key\n3 | Dm7     # ii: Dorian, the key’s own notes\n# area: Eb major (A1 3–4)\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n4 | A7#11   # tritone substitute: resolves down a half step to Ab7\n# area: Gb major (A1 5–8)\n5 | Ab7     # V7 of V7: the dominant of the dominant: natural tensions\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n6 | F7#5    # VII7 in Gb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # tritone substitute: resolves down a half step to G7\n7 | G7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8 | DbMaj7  # a non-tonic major chord: Lydian\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: C major (B 1–2)\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # V7\u002FIV in C: natural tensions\n2 | Cm7     # ii of F7: Dorian\n2 | F7      # extended ii–V: a side-step, its own key\n# area: B major (B 3–4)\n3 | Gb7     # V7 of B: natural tensions\n4 | BMaj7   # tonic: the 4th is in the key\n# area: C major (B 5 – A3 3)\n5 | Dm7     # ii of the ii–V to C\n5 | G7b13   # V7 of C: the b13 from the symbol\n6 | CMaj7   # tonic: the 4th is in the key\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # tritone substitute: resolves down a half step to Bm7\n7 | Bm7     # ii of E7: Dorian\n7 | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n8 | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n8 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | G7      # V7 of C: natural tensions\n\nsection: A3\n1 | CMaj7   # tonic: the 4th is in the key\n2 | Ebm7    # ii of Ab7: Dorian\n2 | Ab7     # extended ii–V: a side-step, its own key\n3 | Dm7     # ii: Dorian, the key’s own notes\n# area: Eb major (A3 3–4)\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n4 | A7#11   # tritone substitute: resolves down a half step to Ab7\n# area: Gb major (A3 5–8)\n5 | Ab7     # V7 of V7: the dominant of the dominant: natural tensions\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n6 | F7#5    # VII7 in Gb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # tritone substitute: resolves down a half step to G7\n7 | G7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8 | D7      # ♭VI7 from the parallel minor: Lydian Dominant\n# area: C major (A3 8–9)\n8 | Dm7     # ii of G7: Dorian\n8 | G7      # V7\u002FI in C: natural tensions\n9 | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n",1793575898012]