[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pais-tropical":3},"title: Pais Tropical\ncomposer: Jorge Ben Jor\nstyle: Bossa Nova\nkey: C\nform: AAABAA, 48 bars\nrecording: Jorge Ben; Jorge Ben; Philips; 1969\nyoutube: efVH5sMcO1A\n# analysis: 2026-10-28, rules v2; C\n# recording: with the Trio Mocotó; Jorge Ben's own first recording (rule 1), the same year as Wilson Simonal's hit; sources: Wikipedia, MusicBrainz; video: Jorge Ben Jor official channel \"(Áudio)\" upload of the album track, 4:13\n\nsection: Intro\n1  | C      # tonic: the 4th is in the key\n1  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F      # IV: the #4 is the key’s 7th\n2  | G7     # V7 of C: natural tensions\n3  | C      # tonic: the 4th is in the key\n3  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F      # IV: the #4 is the key’s 7th\n4  | G7     # V7 of C: natural tensions\n\nsection: A1\n1  | C      # tonic: the 4th is in the key\n1  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F      # IV: the #4 is the key’s 7th\n2  | G7     # V7 of C: natural tensions\n3  | C      # tonic: the 4th is in the key\n3  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F      # IV: the #4 is the key’s 7th\n4  | G7     # V7 in C, not resolving: natural tensions\n5  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | F      # IV: the #4 is the key’s 7th\n6  | G7     # V7 of C: natural tensions\n7  | C      # tonic: the 4th is in the key\n7  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | F      # IV: the #4 is the key’s 7th\n8  | G7     # V7 of C: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: A3\n1  | C      # tonic: the 4th is in the key\n1  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F      # IV: the #4 is the key’s 7th\n2  | G7     # V7 of C: natural tensions\n3  | C      # tonic: the 4th is in the key\n3  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F      # IV: the #4 is the key’s 7th\n4  | G7     # V7 in C, not resolving: natural tensions\n5  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | F      # IV: the #4 is the key’s 7th\n6  | G7     # V7 of C: natural tensions\n7  | Cm7    # ii of F9: Dorian\n8  | Cm7\n\nsection: B\n1  | F9     # extended ii–V: a side-step, its own key\n2  | F9\n3  | C7     # extended dominant: V7 of F9\n4  | C7\n5  | F9     # IV7 in C, not resolving: the #11 is in the key\n6  | F9\n7  | G7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | G7sus\n\nsection: A4\n1  | C      # tonic: the 4th is in the key\n1  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F      # IV: the #4 is the key’s 7th\n2  | G7     # V7 of C: natural tensions\n3  | C      # tonic: the 4th is in the key\n3  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F      # IV: the #4 is the key’s 7th\n4  | G7     # V7 in C, not resolving: natural tensions\n5  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | F      # IV: the #4 is the key’s 7th\n6  | G7     # V7 of C: natural tensions\n7  | C      # tonic: the 4th is in the key\n7  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | F      # IV: the #4 is the key’s 7th\n8  | G7     # V7 of C: natural tensions\n9  | C      # tonic: the 4th is in the key\n9  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | F      # IV: the #4 is the key’s 7th\n10 | G7     # V7 of C: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n",1793484802321]