[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:p-s-i-love-you":3},"title: P.S. I Love You\ncomposer: Gordon Jenkins\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6     # tonic: the 4th is in the key\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # extended dominant: V7 of F7; b9 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Db7     # back door bVII7 to Eb6: the #11 is in the key\n10 | Eb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | AbMaj7\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | Bb7     # V7 in Eb, not resolving: natural tensions\n7  | C7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n8  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | Eb6     # tonic: the 4th is in the key\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # extended dominant: V7 of F7; b9 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | Db7     # back door bVII7 to Eb6: the #11 is in the key\n8  | Eb6     # tonic: the 4th is in the key\n",1793575897977]