[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:out-of-this-world":3},"title: Out of This World\ncomposer: Harold Arlen\nstyle: Medium Latin\nkey: Eb\nform: ABCD, 74 bars\nrecording: John Coltrane; Coltrane; Impulse!; 1962\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded June 1962 at Van Gelder Studio, Coltrane with McCoy Tyner, Jimmy Garrison, Elvin Jones; chart follows no named version; songbook standard: the classic quartet's reading is the jazz reference for this Arlen–Mercer song (film Out of This World, 1945); Impulse! A-21, released July 1962; sources: Wikipedia\n# book: Med. Latin; may also be played as Med. Swing, or letter C and the solos may swing\n# book: the last 2 bars of letter C (C bars 17–18) may be omitted\n\n# bar | chord\n\nsection: A\n1  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n2  | Ebm7      # a borrowed minor chord: Dorian, its own key\n3  | Eb7       # I7 in Eb, not resolving: natural tensions\n4  | Ebm7      # a borrowed minor chord: Dorian, its own key\n5  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n6  | Ebm7      # a borrowed minor chord: Dorian, its own key\n7  | Eb9sus4   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# book: Eb9sus\n8  | Eb7       # I7 in Eb, not resolving: natural tensions\n9  | Ebm7      # a borrowed minor chord: Dorian, its own key\n10 | Ebm6      # a minor sixth chord: Dorian\n11 | Abm7      # a borrowed minor chord: Dorian, its own key\n12 | Ab7       # IV7 in Eb, not resolving: the #11 is in the key\n13 | Eb6       # tonic: the 4th is in the key\n14 | Edim7     # vii°7 of Fm7: C7♭9 without its root\n15 | Fm7       # ii of Bb7#5: Dorian\n16 | Bb7#5     # V7\u002FI in Eb: #11 and b13 from the symbol\n\nsection: B\nbars: 20\n1  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n2  | Ebm7      # a borrowed minor chord: Dorian, its own key\n3  | Eb7       # I7 in Eb, not resolving: natural tensions\n4  | Ebm7      # a borrowed minor chord: Dorian, its own key\n5  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n6  | Ebm7      # a borrowed minor chord: Dorian, its own key\n7  | Eb9sus4   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# book: Eb9sus\n8  | Eb7       # I7 in Eb, not resolving: natural tensions\n9  | Ebm7      # a borrowed minor chord: Dorian, its own key\n10 | Ebm6      # a minor sixth chord: Dorian\n11 | Abm7      # a borrowed minor chord: Dorian, its own key\n12 | Ab7       # IV7 in Eb, not resolving: the #11 is in the key\n13 | Eb6       # tonic: the 4th is in the key\n14 | Edim7     # vii°7 of Fm7: C7♭9 without its root\n15 | Fm7       # ii of the ii–V to Eb\n16 | Bb7       # V7 of Eb: natural tensions\n17 | Eb6       # tonic: the 4th is in the key\n# alt: bar 20 (Ab7 G7); the melody rests in bars 19–20\n\nsection: C\n1  | Cm6       # a minor sixth chord: Dorian\n6  | Cdim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n7  | Ab9#11    # tritone substitute: resolves down a half step to G7\n8  | G7        # V7\u002Fvi in Eb: b9 and b13 are in the key\n9  | Cm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | AbMaj7\u002FC  # IV: the #4 is the key’s 7th\n11 | Cm6\u002F9     # a minor sixth chord: Dorian\n12 | Ab13      # IV7 in Eb, not resolving: the #11 is in the key\n13 | Cm6\u002F9     # a minor sixth chord: Dorian\n14 | Ab13      # tritone substitute: resolves down a half step to G7\n15 | G7        # extended dominant: each one falls a fifth into the next: natural tensions\n17 | C9        # extended dominant: each one falls a fifth into the next: natural tensions\n18 | F7        # V7 of V7: the dominant of the dominant: natural tensions\n18 | Bb7       # V7 in Eb, not resolving: natural tensions\n\nsection: D\nbars: 22\n1  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n2  | Ebm7      # a borrowed minor chord: Dorian, its own key\n3  | Eb7       # I7 in Eb, not resolving: natural tensions\n4  | Ebm7      # a borrowed minor chord: Dorian, its own key\n5  | Bbm\u002FEb    # a borrowed minor chord: Dorian, its own key\n6  | Ebm7      # a borrowed minor chord: Dorian, its own key\n7  | Eb9sus4   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# book: Eb9sus\n8  | Eb7       # I7 in Eb, not resolving: natural tensions\n9  | Ebm7      # a borrowed minor chord: Dorian, its own key\n10 | Ebm6      # a minor sixth chord: Dorian\n11 | Abm7      # a borrowed minor chord: Dorian, its own key\n12 | Ab7       # IV7 in Eb, not resolving: the #11 is in the key\n13 | Eb6       # tonic: the 4th is in the key\n14 | Edim7     # vii°7 of Fm7: C7♭9 without its root\n15 | Fm7       # ii of the ii–V to Eb\n16 | Bb7       # V7 of Eb: natural tensions\n17 | Eb6       # tonic: the 4th is in the key\n# alt: bar 20 (Bb7#5); the melody rests in bars 19–20\n",1793484802279]