[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:our-love-is-here-to-stay":3},"title: Our Love is Here to Stay\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | G7      # II7 in F, not resolving: natural tensions\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | F6      # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # extended dominant: V7 of G7\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Eb7     # tritone substitute: resolves down a half step to D7\n7 | D7      # VI7 in F, not resolving: the b13 is in the key\n8 | Bm7     # ii of the ii–V to A minor\n8 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n\nsection: B\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FI in F: natural tensions\n8 | D7      # extended dominant: V7 of G7\n\nsection: A2\n1 | G7      # II7 in F, not resolving: natural tensions\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | F6      # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # extended dominant: V7 of G7\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Eb7     # tritone substitute: resolves down a half step to D7\n7 | D7      # VI7 in F, not resolving: the b13 is in the key\n8 | Bm7     # ii of the ii–V to A minor\n8 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n\nsection: C\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Eb7     # tritone substitute: resolves down a half step to D7\n3 | D7      # V7\u002Fii in F: the b13 is in the key\n4 | Gm7     # ii: Dorian, the key’s own notes\n4 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # V7\u002Fii in F: the b13 is in the key\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | D7      # extended dominant: V7 of G7\n",1793575897897]