[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:only-trust-your-heart":3},"title: Only Trust Your Heart\ncomposer: Benny Carter\nstyle: Bossa Nova\nkey: C\nform: AABAC, 40 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | FMaj7#11  # from the symbol: #11\n2  | B7#9      # V7\u002Fiii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Dm7       # ii of the ii–V to C\n6  | G7        # V7 of C: natural tensions\n7  | CMaj7     # tonic: the 4th is in the key\n8  | Gm7       # ii of C7: Dorian\n8  | C7        # V7\u002FIV in C: natural tensions\n9  | C7\n10 | Gm7       # ii of the ii–V to F\n10 | C7        # V7\u002FIV in C: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | FMaj7     # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | Am7\u002FE     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Dm7       # ii: Dorian, the key’s own notes\n4  | Dm7\u002FC     # ii: Dorian, the key’s own notes\n5  | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b13     # V7\u002Fvi in C: b9 and b13 are in the key\n7  | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7       # ii of the ii–V to F\n8  | C7        # V7\u002FIV in C: natural tensions\n\nsection: A2\n1  | FMaj7#11  # from the symbol: #11\n2  | B7#9      # V7\u002Fiii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Dm7       # ii of G7: Dorian\n6  | G7        # V7\u002FI in C: natural tensions\n7  | Bb7#11    # tritone substitute: resolves down a half step to A7\n8  | A7        # V7\u002Fii in C: the b13 is in the key\n\nsection: C\n1  | Dm7       # ii: Dorian, the key’s own notes\n2  | Fm7       # ii of Bb7: Dorian\n2  | Bb7       # back door bVII7 to CMaj7: the #11 is in the key\n3  | CMaj7     # tonic: the 4th is in the key\n4  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7b9      # tritone substitute: resolves down a half step to Ab7#11; b9 from the symbol\n5  | Ab7#11    # ♭VI7 from the parallel minor: Lydian Dominant\n6  | FMaj7\u002FG   # IV: the #4 is the key’s 7th\n6  | G7b9      # V7 of C: the b9 from the symbol\n7  | C6        # tonic: the 4th is in the key\n8  | Gm7       # ii of the ii–V to F\n8  | C7        # V7\u002FIV in C: natural tensions\n",1793575897826]