[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:one-morning-in-may":3},"title: One Morning In May\ncomposer: Hoagy Carmichael\nstyle: Up Tempo Swing\nkey: G\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n# area: G major (A 1 – B 8)\n1  | GMaj7   # tonic: the 4th is in the key\n2  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FI in G: natural tensions\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n7  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n9  | GMaj7   # tonic: the 4th is in the key\n10 | Dm7     # ii of the ii–V to C\n10 | G7      # V7\u002FIV in G: natural tensions\n11 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n12 | CmMaj7  # from the symbol: minor-major 7th\n13 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | E7      # V7\u002Fii in G: the b13 is in the key\n15 | Am7     # ii of D7: Dorian\n16 | D7      # V7\u002FI in G: natural tensions\n17 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n17 | E7      # V7\u002Fii in G: the b13 is in the key\n18 | Am7     # ii of the ii–V to G\n18 | D7      # V7 of G: natural tensions\n19 | G6      # tonic: the 4th is in the key\n20 | G6\n@nav 20 Fine\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n4  | GMaj7\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | GMaj7\n# area: Bb major (B 9–11)\n9  | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7 of Bb: natural tensions\n11 | BbMaj7  # tonic: the 4th is in the key\n# area: G major (B 12–16)\n12 | Em7     # ii of A7: Dorian\n12 | A7      # V7\u002FV in G: natural tensions\n13 | F#m7    # ii of the ii–V to E minor\n13 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n14 | Em7     # ii of A7: Dorian\n14 | A7      # V7\u002FV in G: natural tensions\n15 | Am7     # ii of the ii–V to G\n16 | D7      # V7 of G: natural tensions\n@nav 16 D.C. al 2nd End.\n",1793575897809]