[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:one-foot-in-the-gutter":3},"title: One Foot in the Gutter\nsubtitle: Medium shuffle\ncomposer: Clark Terry\nstyle: Medium\nkey: F\nform: ABCD, 32 bars\nrecording: Clark Terry Quartet with Thelonious Monk; In Orbit; Riverside; 1958\nyoutube: 41ycRb-qlWA\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1958-05-07\u002F12, Reeves Sound Studios, NYC, with Thelonious Monk, Sam Jones, Philly Joe Jones, RLP 12-271, also a single (R-45-411, with Pea-Eye), the first recording of it, the composer leading; over Dave Bailey's title-track version (Epic, 1960) (jazzdisco, MusicBrainz); video: \"Provided to YouTube by Universal Music Group\", In Orbit, the same take\n\n# bar | chord | scale\n\nsection: A\n1 | F7     # extended dominant: V7 of Bb7\n3 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n4 | Bdim7  # ♯IV°7 to I: E7♭9 without its root, the ♯II°7's notes\n5 | F7     # I7 in F, not resolving: natural tensions\n6 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | C7     # extended dominant: V7 of F7\n\nsection: B\n1 | F7     # extended dominant: V7 of Bb7\n3 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n4 | Bdim7  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n5 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7     # V7\u002Fii in F: the b13 is in the key\n6 | Gm7    # ii of C7: Dorian\n6 | C7     # extended dominant: V7 of F7\n7 | F7     # extended dominant: V7 of Bb7\n7 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n8 | F7     # I7 in F, not resolving: natural tensions\n\nsection: C\n1 | C7     # extended dominant: V7 of F7\n3 | F7     # extended dominant: V7 of Bb7\n5 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n6 | Bdim7  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n7 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | Gm7    # ii of C7: Dorian\n8 | C7     # extended dominant: V7 of F7\n\nsection: D\n1 | F7     # extended dominant: V7 of Bb7\n3 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n4 | Bdim7  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n5 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7     # V7\u002Fii in F: the b13 is in the key\n6 | Gm7    # ii of C7: Dorian\n6 | C7     # extended dominant: V7 of F7\n7 | F7     # extended dominant: V7 of Bb7\n7 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n8 | F7     # I7 in F, not resolving: natural tensions\n",1793484802227]