[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:one-by-one":3},"title: One By One\ncomposer: Wayne Shorter\nstyle: Medium Up Swing\nkey: Gm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: Intro1\n# area: G minor (Intro1 1 – A1 2)\n1 | BbMaj7  # bIII of G minor: the relative major itself\n2 | BbMaj7\n3 | BbMaj7\n4 | BbMaj7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b13   # V7 of G minor: b9 and b13 are in the key\n2 | Gm7     # tonic minor: Dorian by convention\nalt 2 | Gm7     # tonic minor: Dorian by convention\nalt 2 | Fm7     # ii of the ii–V to Eb\nalt 2 | Bb7     # V7 of Eb: natural tensions\n# area: Bb major (A1 3–5)\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7 of Bb: natural tensions\nalt 3 | Eb      # tonic: the 4th is in the key\nalt 3 | Cm7     # ii of the ii–V to Bb\nalt 3 | F7      # V7\u002FbIII in G minor: natural tensions\n4 | BbMaj7  # tonic: the 4th is in the key\n5 | A7#9    # tritone substitute: resolves down a half step to Ab7; b9 and #9 from the symbol\n# area: G minor (A1 5 – A2 2)\n5 | Ab7     # tritone substitute: resolves down a half step to Gm7\n6 | Gm7     # tonic minor: Dorian by convention\n6 | Bb7\u002FF   # bIII7 in G minor, not resolving: natural tensions\n7 | Em7b5   # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n7 | D7b13   # V7 of G minor: b9 and b13 are in the key\n8 | Gm7     # tonic minor: Dorian by convention\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | E7#9    # V7 of A7#9, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n1 | A7#9    # V7 of D minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Dm7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2 | Bm7b5   # iiiø7 in G minor: Locrian, its own mode (the chord is outside the key)\n3 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | A7b9    # V7\u002Fv in G minor: b9 and b13 are in the key\n4 | Dm7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4 | Bb7     # tritone substitute: resolves down a half step to A7#9\n5 | A7#9    # tritone substitute: resolves down a half step to Ab7; b9 and #9 from the symbol\n5 | Ab7     # tritone substitute: resolves down a half step to Gm7\n6 | Gm7     # tonic minor: Dorian by convention\n6 | Bb7\u002FF   # bIII7 in G minor, not resolving: natural tensions\n7 | Em7b5   # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n7 | D7b13   # V7 of G minor: b9 and b13 are in the key\n8 | Gm7     # tonic minor: Dorian by convention\n\nsection: A3\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b13   # V7 of G minor: b9 and b13 are in the key\n2 | Gm7     # tonic minor: Dorian by convention\nalt 2 | Gm7     # tonic minor: Dorian by convention\nalt 2 | Fm7     # ii of the ii–V to Eb\nalt 2 | Bb7     # V7 of Eb: natural tensions\n# area: Bb major (A3 3–5)\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7 of Bb: natural tensions\nalt 3 | Eb      # tonic: the 4th is in the key\nalt 3 | Cm7     # ii of the ii–V to Bb\nalt 3 | F7      # V7\u002FbIII in G minor: natural tensions\n4 | BbMaj7  # tonic: the 4th is in the key\n5 | A7#9    # tritone substitute: resolves down a half step to Ab7; b9 and #9 from the symbol\n# area: G minor (A3 5–8)\n5 | Ab7     # tritone substitute: resolves down a half step to Gm7\n6 | Gm7     # tonic minor: Dorian by convention\n6 | Bb7\u002FF   # bIII7 in G minor, not resolving: natural tensions\n7 | Em7b5   # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n7 | D7b13   # V7 of G minor: b9 and b13 are in the key\n8 | Gm7     # tonic minor: Dorian by convention\n",1793575897733]