[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:onde-anda-voce":3},"title: Onde Anda Você\ncomposer: Vinicius de Moraes, Hermano Silva\nstyle: Bossa Nova\nkey: C\nform: AAB, 32 bars\nrecording: Vinicius de Moraes & Toquinho; Vinicius\u002FToquinho; Philips; 1975\n# analysis: 2026-10-28, rules v2; C\n# recording: Philips 6349 134; the lyricist's own first recording, the version the song is known by (rule 1); Nora Ney recorded it earlier on Tire o Seu Sorriso do Caminho (Som Livre, 1972); sources: MusicBrainz; no official upload confirmed\n\nsection: Intro\n1  | D9      # V7 of V7: the dominant of the dominant: natural tensions\n2  | G13     # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Ebdim7  # passing diminished: D7♭9 without its D, the G7b13's dominant (Dm7 its ii)\n5  | Dm7     # ii of the ii–V to C\n6  | G7b13   # V7 of C: the b13 from the symbol\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | A7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n\nsection: A\n1  | D9      # V7 of V7: the dominant of the dominant: natural tensions\n2  | G13     # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Ebdim7  # passing diminished: D7♭9 without its D, the G7b13's dominant (Dm9 its ii)\n5  | Dm9     # ii of the ii–V to C\n6  | G7b13   # V7 of C: the b13 from the symbol\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | A7b13   # extended ii–V: a side-step, its own key; b13 from the symbol\n9  | Gm7     # ii of C7b9: Dorian\n10 | C7b9    # V7\u002FIV in C: the b9 from the symbol\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n2  | Fm6     # a minor sixth chord: Dorian\n3  | Em11    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | D9      # V7 of V7: the dominant of the dominant: natural tensions\n6  | G13     # V7 in C, not resolving: natural tensions\n7  | E7      # extended dominant: V7 of A9\n8  | A9      # VI7 in C, not resolving: the b13 is in the key\n8  | C7      # I7 in C, not resolving: natural tensions\n9  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n10 | Fm6     # a minor sixth chord: Dorian\n11 | Em11    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n13 | D9      # V7 of V7: the dominant of the dominant: natural tensions\n14 | G13     # V7 of C: natural tensions\n15 | CMaj7   # tonic: the 4th is in the key\n15 | Fm\u002FC    # iv from the parallel minor: Dorian, its notes\n16 | CMaj9   # tonic: the 4th is in the key\n",1793484802221]