[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:once-in-a-while":3},"title: Once In A While\ncomposer: Michael Edwards\nstyle: Slow Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – A2 8)\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of Bb7: Dorian\n6 | Bb7     # V7\u002FI in Eb: natural tensions\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | C7      # V7\u002Fii in Eb: the b13 is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n7 | Abm6    # a minor sixth chord: Dorian\n8 | Eb6     # tonic: the 4th is in the key\n# area: G major (A2 8 – B 7)\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: B\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n4 | Am7     # ii of the ii–V to G\n4 | D7      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n5 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n7 | C7b9    # V7\u002Fbvii in G: the #11 is in the key, the b9 from the symbol\n# area: Eb major (B 8 – A3 8)\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A3\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n7 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575897691]