[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:once-i-loved":3},"title: Once I Loved\naka: O Amor em Paz\nsubtitle: Bossa nova (O Amor em Paz)\ncomposer: Antonio Carlos Jobim\nstyle: Latin\nkey: F\nform: AAB, 44 bars\nrecording: Antonio Carlos Jobim; The Composer of Desafinado, Plays; Verve; 1963\nyoutube: JfehlQeuEVk\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded May 1963, New York, Jobim (piano, guitar) with Claus Ogerman's orchestra, prod. Creed Taylor (Verve V6-8547); Jobim's own first recording as leader under the title; João Gilberto's 1961 Odeon LP João Gilberto sang it first, but jazz players learned it from this LP; chart follows the Colorado Cookbook, no specific version; sources: Wikipedia; video: Zebralution \"Provided to YouTube\" upload of the same album track (remastered), 3:36\n\n# bar | chord | scale\n\nsection: A1\n# area: F major (A1 1–8)\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7alt   # from the symbol: altered\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7alt   # from the symbol: altered\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F minor\n8  | C7      # V7 of F: natural tensions\n# area: Eb major (A1 9–11)\n9  | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n# area: D major (A1 13–16)\n13 | Em7b5   # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7b9    # V7 of D: the b9 from the symbol\n15 | DMaj7   # tonic: the 4th is in the key\n16 | D7b9    # V7\u002Fiv in D: the b9 from the symbol\n\nsection: A2\n# area: F major (A2 1–8)\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7alt   # from the symbol: altered\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7alt   # from the symbol: altered\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F minor\n8  | C7      # V7 of F: natural tensions\n# area: Eb major (A2 9–11)\n9  | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n# area: D major (A2 13–15)\n13 | Em7b5   # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7b9    # V7 of D: the b9 from the symbol\n15 | DMaj7   # tonic: the 4th is in the key\n# area: C major (A2 16 – B 1)\n16 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n# area: F major (B 2–12)\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n6  | Bbm6\u002F9  # a minor sixth chord: Dorian\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Ab7#11  # tritone substitute: resolves down a half step to G7\n9  | G7      # II7 in F, not resolving: natural tensions\n10 | Gm7     # ii: Dorian, the key’s own notes\n10 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Dm6\u002F9   # a minor sixth chord: Dorian\n12 | D7alt   # from the symbol: altered\n",1793484802213]