[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:on-the-street-where-you-live":3},"title: On The Street Where You Live\ncomposer: Frederick Loewe\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 64 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – B 11)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n7  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n9  | Cm7     # ii: Dorian, the key’s own notes\n10 | Ab7#11  # back door bVII7 to Bb6: the #11 is in the key\n11 | Bb6     # tonic: the 4th is in the key\n12 | Gm6     # a minor sixth chord: Dorian\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FI in Bb: natural tensions\n15 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | G7      # V7\u002Fii in Bb: the b13 is in the key\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n17 | Bb6     # tonic: the 4th is in the key\n18 | Bb6\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | Am7     # ii of D7: Dorian\n2  | D7      # extended ii–V: a side-step, its own key\n3  | EbMaj7  # IV: the #4 is the key’s 7th\n4  | EbMaj7\n5  | Ebm6    # a minor sixth chord: Dorian\n6  | Ab7     # back door bVII7 to Bb6: the #11 is in the key\n7  | Bb6     # tonic: the 4th is in the key\n8  | Bb6\n9  | Gb7     # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n9  | Bb\u002FF    # tonic: the 4th is in the key\n10 | Em7b5   # iiø7 of A7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | A7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D major (B 12–14)\n12 | A7      # V7 of D: natural tensions\n13 | DMaj7   # tonic: the 4th is in the key\n13 | A7\u002FC#   # V7 of the DMaj7 before it: natural tensions\n14 | C7      # ♭VII7 from the parallel minor: Lydian Dominant\n# area: Bb major (B 15 – A2 16)\n15 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n7  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n9  | Cm7     # ii: Dorian, the key’s own notes\n10 | Ab7#11  # back door bVII7 to Bb6: the #11 is in the key\n11 | Bb6     # tonic: the 4th is in the key\n12 | Gm6     # a minor sixth chord: Dorian\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | Bb6     # tonic: the 4th is in the key\n16 | Bb6\n",1793575897634]