[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:on-green-dolphin-street":3},"title: On Green Dolphin Street\nsubtitle: Latin \u002F swing\ncomposer: Bronisław Kaper\nstyle: Mixed\nkey: C\nform: ABCD, 32 bars\nrecording: Miles Davis; Jazz Track; Columbia; 1959\nyoutube: DR_SnnWhlrM\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1958-05-26, Columbia 30th Street Studio, New York, with Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers, Jimmy Cobb, master CO61165-3, Columbia CL 1268 (November 1959); the film song's jazz reference; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Columbia\u002FLegacy\", Kind of Blue (Legacy Edition), the same take\n\n# bar | chord | scale\n\nsection: A\n# area: C major (A 1 – B 3)\n1 | CMaj7   # tonic: the 4th is in the key\n3 | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n5 | DMaj7   # a non-tonic major chord: Lydian\n6 | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n7 | CMaj7   # tonic: the 4th is in the key\n7 | F7      # IV7 in C, not resolving: the #11 is in the key\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Dm7     # ii of the ii–V to C\n2 | G7b9    # V7 of C: the b9 from the symbol\n3 | CMaj7   # tonic: the 4th is in the key\n# area: Eb major (B 5–7)\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | EbMaj7  # tonic: the 4th is in the key\n# area: C major (B 8 – D 8)\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: C\n1 | CMaj7   # tonic: the 4th is in the key\n3 | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n5 | DMaj7   # a non-tonic major chord: Lydian\n6 | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n7 | CMaj7   # tonic: the 4th is in the key\n7 | F7      # IV7 in C, not resolving: the #11 is in the key\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: D\n1 | Dm      # ii: Dorian, the key’s own notes\n1 | Dm\u002FC    # ii: Dorian, the key’s own notes\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n3 | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Am\u002FG    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | A7alt   # from the symbol: altered\n6 | Dm7     # ii of the ii–V to C\n6 | G7alt   # from the symbol: altered\n7 | CMaj7   # tonic: the 4th is in the key\n7 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793484802172]