[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:on-a-misty-night":3},"title: On a Misty Night\ncomposer: Tadd Dameron\nstyle: Medium\nkey: Eb\nform: AABA, 32 bars\nrecording: Tadd Dameron with John Coltrane; Mating Call; Prestige; 1957\nyoutube: 26I18e3YAJo\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1956-11-30 at Van Gelder Studio, the first recording of it, PRLP 7070; reissued 1962 as John Coltrane with Tadd Dameron (PRLP 7247) (jazzdisco.org, MusicBrainz release group, Wikipedia); video: Side Steps, the same take (one take only)\n\n# bar | chord | scale\n# the lead sheet's lower chord line; the upper (EbMaj7 BMaj7 | AbMaj7 Gm7 Gbm7 …) is an alternate\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | G7alt   # from the symbol: altered\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm9     # ii: Dorian, the key’s own notes\n5 | Abm9    # ii of Db7#11: Dorian\n6 | Db7#11  # extended ii–V: a side-step, its own key; #11 from the symbol\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | C7alt   # from the symbol: altered\n8 | Fm9     # ii of the ii–V to Eb\n8 | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: A2\nbars: 8\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | G7alt   # from the symbol: altered\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm9     # ii: Dorian, the key’s own notes\n5 | Abm9    # ii of Db7#11: Dorian\n6 | Db7#11  # back door bVII7 to EbMaj7: the #11 is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n\nsection: B\n1 | Bm9     # ii of E9: Dorian\n1 | E9      # extended ii–V: a side-step, its own key\n2 | Bbm9    # ii of the ii–V to Ab\n2 | Eb9     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb9 before it makes Ab the key of the moment: the 4th is in the key\n5 | Dbm9    # ii of Gb9: Dorian\n5 | Gb9     # extended ii–V: a side-step, its own key\n6 | Cm9     # ii of F9: Dorian\n6 | F9      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb13    # V7 in Eb, not resolving: natural tensions\n8 | E7#11   # tritone substitute: resolves down a half step to EbMaj7\n\nsection: A3\nbars: 8\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | G7alt   # from the symbol: altered\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm9     # ii: Dorian, the key’s own notes\n5 | Abm9    # ii of Db7#11: Dorian\n6 | Db7#11  # back door bVII7 to EbMaj7: the #11 is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n",1793484802160]