[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:olhos-nos-olhos":3},"title: Olhos nos Olhos\ncomposer: Chico Buarque\nstyle: Slow Bossa Nova\nkey: A\nform: ABC, 36 bars\nrecording: Chico Buarque; Meus Caros Amigos; Philips; 1976\nyoutube: DCZJcjSA4DY\n# analysis: 2026-10-28, rules v2; A\n# recording: prod. Sérgio de Carvalho; Chico's own first recording (rule 1); sources: Wikipedia, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Meus Caros Amigos, 4:33\n\nsection: Intro\n# area: A major (Intro 1)\n1  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n# area: B major (Intro 2–3)\n2  | F#7\u002FE      # V7 of B: natural tensions\n2  | B\u002FD#       # tonic: the 4th is in the key\n3  | Bm\u002FD       # a borrowed minor chord: Dorian, its own key\n# area: A major (Intro 4 – B 9)\n4  | G#m7b5     # iiø7 of C#7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C#7#9      # V7\u002Fvi in A: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A\n1  | AMaj7      # tonic: the 4th is in the key\n1  | Bm7        # ii: Dorian, the key’s own notes\n2  | Cdim7      # vii°7 of C#m7: G#7♭9 without its root\n2  | C#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | A7\u002FG       # I7 in A, not resolving: natural tensions\n3  | A7         # V7\u002FIV in A: natural tensions\n4  | DMaj7      # the A7 before it makes D the key of the moment: the 4th is in the key\n4  | Dm6\u002FF      # a minor sixth chord: Dorian\n5  | G#m7b5     # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C#7b9      # V7\u002Fvi in A: b9 and b13 are in the key\n6  | F#m7       # ii of B7sus: Dorian\n7  | B7sus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | E7sus      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | E7alt      # from the symbol: altered\n\nsection: B\n1  | AMaj7      # tonic: the 4th is in the key\n1  | Bm7        # ii: Dorian, the key’s own notes\n2  | Cdim7      # vii°7 of C#m7: G#7♭9 without its root\n2  | C#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | A7\u002FG       # I7 in A, not resolving: natural tensions\n3  | A7         # V7\u002FIV in A: natural tensions\n4  | DMaj7      # the A7 before it makes D the key of the moment: the 4th is in the key\n4  | Dm6\u002FF      # a minor sixth chord: Dorian\n5  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n6  | F#m\u002FE      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | A7\u002FG       # I7 in A, not resolving: natural tensions\n7  | G#m7b5     # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C#7#9      # V7\u002Fvi in A: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n# area: B major (B 10–15)\n10 | F#7\u002FE      # V7 of B: natural tensions\n10 | B\u002FD#       # tonic: the 4th is in the key\n11 | Bm\u002FD       # a borrowed minor chord: Dorian, its own key\n11 | C#7b9      # II7 in B, not resolving: the b9 from the symbol\n12 | Cdim7      # vii°7 to F#m\u002FC#, up to its bass: G#7♭9 without its root\n12 | F#m\u002FC#     # a borrowed minor chord: Dorian, its own key\n13 | F#m7       # a borrowed minor chord: Dorian, its own key\n13 | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n14 | F#7\u002FE      # V7 of B: natural tensions\n14 | B\u002FD#       # tonic: the 4th is in the key\n15 | Bm\u002FD       # a borrowed minor chord: Dorian, its own key\n# area: A major (B 16 – C 9)\n16 | G#m7b5     # iiø7 of C#7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C#7#9      # V7\u002Fvi in A: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: C\n1  | AMaj7      # tonic: the 4th is in the key\n1  | Bm7        # ii: Dorian, the key’s own notes\n2  | Cdim7      # vii°7 of C#m7: G#7♭9 without its root\n2  | C#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | A7\u002FG       # I7 in A, not resolving: natural tensions\n3  | A7         # V7\u002FIV in A: natural tensions\n4  | DMaj7      # the A7 before it makes D the key of the moment: the 4th is in the key\n4  | Dm6\u002FF      # a minor sixth chord: Dorian\n5  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n6  | F#m\u002FE      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | A7\u002FG       # I7 in A, not resolving: natural tensions\n7  | G#m7b5     # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C#7#9      # V7\u002Fvi in A: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n# area: B major (C 10 – Coda2 4)\n10 | F#7\u002FE      # V7 of B: natural tensions\n10 | B\u002FD#       # tonic: the 4th is in the key\n11 | Bm\u002FD       # a borrowed minor chord: Dorian, its own key\n11 | C#7b9      # II7 in B, not resolving: the b9 from the symbol\n12 | Cdim7      # vii°7 to F#m\u002FC#, up to its bass: G#7♭9 without its root\n12 | F#m\u002FC#     # a borrowed minor chord: Dorian, its own key\n@coda 8\n\nsection: Coda1\n1  | F#m7       # a borrowed minor chord: Dorian, its own key\n1  | F#mMaj7\u002FF  # from the symbol: minor-major 7th\n2  | F#7\u002FE      # V7 of B: natural tensions\n2  | B\u002FD#       # tonic: the 4th is in the key\n3  | Bm\u002FD       # a borrowed minor chord: Dorian, its own key\n3  | C#7b9      # II7 in B, not resolving: the b9 from the symbol\n4  | Cdim7      # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484802153]