[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:old-devil-moon":3},"title: Old Devil Moon\ncomposer: Burton Lane\nstyle: Medium\nkey: F\nform: ABCD, 32 bars\nrecording: Sonny Rollins; A Night at the Village Vanguard; Blue Note; 1958\nyoutube: ELgmb8cyTsQ\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded live 1957-11-03 (evening set), Village Vanguard, NYC, Sonny Rollins with Wilbur Ware and Elvin Jones, Blue Note BLP 1581 (jazzdisco gives 1957, Wikipedia 1958); Finian's Rainbow standard (1947) → Rollins's trio reading as the jazz reference, over Miles Davis (Blue Haze); not the afternoon version (Bailey, La Roca); sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", A Night At The Village Vanguard, \"Evening Take\", the same take\n\n# bar | chord | scale\n\nsection: Intro\n# area: F major (Intro 1 – B 4)\n1 | F7      # I7 in F, not resolving: natural tensions\n2 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3 | F7      # I7 in F, not resolving: natural tensions\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n\nsection: A\n# the Killer Joe style intro (F7 Eb7, slashes)\n1 | F7      # I7 in F, not resolving: natural tensions\n2 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3 | F7      # I7 in F, not resolving: natural tensions\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | F7      # I7 in F, not resolving: natural tensions\n6 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7 | F7      # I7 in F, not resolving: natural tensions\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7b9    # V7\u002FIV in F: the b9 from the symbol\n\nsection: B\n1 | BbMaj7  # the F7b9 before it makes Bb the key of the moment: the 4th is in the key\n3 | Bbm7    # ii of the ii–V to Ab minor\n4 | Eb7     # V7\u002Fbiii in F: the #11 is in the key\n# area: Gb major (B 5 – C 1)\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n6 | C7      # extended dominant: V7 of F7\n7 | F7      # VII7 in Gb, not resolving: b9 and b13 are in the key\n8 | Eb7     # VI7 in Gb, not resolving: the b13 is in the key\n\nsection: C\n1 | F7      # VII7 in Gb, not resolving: b9 and b13 are in the key\n# area: D major (C 2–3)\n2 | Eb7     # tritone substitute: resolves down a half step to DMaj7\n3 | DMaj7   # tonic: the 4th is in the key\n# area: F major (C 5 – D 8)\n5 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii of C7: Dorian\n8 | C7      # extended dominant: V7 of F7\n\nsection: D\n1 | F7      # I7 in F, not resolving: natural tensions\n2 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3 | F7      # I7 in F, not resolving: natural tensions\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # V7\u002Fii in F: the b13 is in the key\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # extended dominant: V7 of F7\n7 | F7      # I7 in F, not resolving: natural tensions\n8 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n",1793484802122]