[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ol-man-river":3},"title: Ol' Man River\ncomposer: Jerome Kern\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Fm7     # ii: Dorian, the key’s own notes\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Fm7     # ii: Dorian, the key’s own notes\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | AbMaj7  # IV: the #4 is the key’s 7th\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FI in Eb: natural tensions\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Ab6     # IV: the #4 is the key’s 7th\n10 | Eb6     # tonic: the 4th is in the key\n10 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n8  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Fm7     # ii: Dorian, the key’s own notes\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | AbMaj7  # IV: the #4 is the key’s 7th\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | Eb6     # tonic: the 4th is in the key\n4  | F7      # II7 in Eb, not resolving: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575897480]