[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:oh-look-at-me-now":3},"title: Oh! Look At Me Now\ncomposer: DeVries, Bushkin\nstyle: Medium Swing\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n# area: Ab major (A1 1–8)\n1  | Eb7     # V7 in Ab, not resolving: natural tensions\n1  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n5  | EbMaj7  # a non-tonic major chord: Lydian\n5  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # extended dominant: V7 of F7\n6  | F7      # VI7 in Ab, not resolving: the b13 is in the key\n6  | B7      # tritone substitute: resolves down a half step to Bb7\n7  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n7  | Eb7     # tritone substitute: resolves down a half step to D7\n7  | D7      # tritone substitute: resolves down a half step to Db7\n7  | Db7     # tritone substitute: resolves down a half step to C7\n8  | C7      # tritone substitute: resolves down a half step to B7\n8  | B7      # tritone substitute: resolves down a half step to Bb7\n# area: Eb major (A1 8 – A2 1)\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Eb7     # I7 in Eb, not resolving: natural tensions\n10 | A7      # V7 of D7, on the way to G minor: b9 and b13 are in the key\n10 | D7      # V7 of G minor, the chain's last link: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Eb7     # tritone substitute: resolves down a half step to D7\n2  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii: Dorian, the key’s own notes\n6  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # extended dominant: V7 of Eb7\n\nsection: A2\n1  | Eb7     # I7 in Eb, not resolving: natural tensions\n# area: Ab major (A2 1–5)\n1  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n5  | EbMaj7  # a non-tonic major chord: Lydian\n5  | Db7     # tritone substitute: resolves down a half step to C7\n# area: Eb major (A2 6–8)\n6  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n",1793575897448]