[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:oh-lady-be-good":3},"title: Oh, Lady Be Good\naka: Lady Be Good\ncomposer: George Gershwin\nstyle: Medium up\nkey: F\nform: AABA, 32 bars\nrecording: Jones-Smith Incorporated; Lester Leaps In; Epic; 1956\nyoutube: j4JL-AR2ZiI\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1936-11-09, Chicago (Count Basie, Lester Young, Carl Smith, Walter Page, Jo Jones), matrix C-1660-1, first issued on 78 (Vocalion 3459); first LP Epic LN 3107 (credited to Count Basie), 1956 per MusicBrainz (1955 per NYPL); songbook standard → Lester Young's solo is the jazz reference; sources: Wikipedia, Mosaic, MusicBrainz; video: \"Provided to YouTube by Columbia\", The Essential Count Basie, Vol. I, the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n7 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: B\n1 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2 | Bdim7   # ♯IV°7 to I: E7♭9 without its root, the ♯II°7's notes\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7alt   # from the symbol: altered\n5 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | DmMaj7  # from the symbol: minor-major 7th\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A3\ncopy: A1\n",1793484802116]