[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:off-minor":3},"title: Off Minor\ncomposer: Thelonious Monk\nstyle: Medium swing\nkey: Gm\nform: AABC, 32 bars\nrecording: Thelonious Monk; Genius of Modern Music; Blue Note; 1951\nyoutube: njJtE9citu4\n# analysis: 2026-10-19, rules v2; G minor\n# recording: recorded 1947-10-24, first issued on 78 (Blue Note 547), LP 1951 (BLP 5002); Bud Powell recorded it first, 1947-01-10 (Wikipedia, jazzdisco); video: Genius Of Modern Music, Vol. 1 (2013)\n# book: Med. Swing. Solo on form (AABC); after solos D.S., play head, then D.C. al fine (the intro, ending at bar 4)\n# book: chords in parentheses are not played by piano during the head; they are the changes (the intro's Gm and Bb13, A bar 7 and C bar 7's D13, B bar 3's Bm7), so they are rows here\n# book: no kicks during solos; the first notes of A and C may be anticipated by an eighth note\n\n# bar | chord\n\nsection: Intro\n# area: G minor (Intro 1 – A1 1)\n1 | Gm        # tonic minor: Dorian by convention\n2 | Bb13b9b5  # bIII7 in G minor, not resolving: b9 and #11 from the symbol\n# bar 4: the fine; the Bb13 voicing is held through bar 3, its own row at bar 4 for the marker\n4 | Bb13b9b5\n@nav 4 Fine\n\nsection: A1\nbars: 8\n1 | Gm        # tonic minor: Dorian by convention\n# area: B minor (A1 2–3)\n2 | C#7       # V7 of V7: the dominant of the dominant, on the way to B minor: b9 and b13 are in the key\n2 | F#7       # V7 of B minor, the chain's last link: b9 and b13 are in the key\n3 | Bm7       # tonic minor: Dorian by convention\n# area: G minor (A1 3 – A2 1)\n3 | Bb7       # V7\u002FbVI in G minor: natural tensions\n4 | EbMaj7    # a non-tonic major chord: Lydian\n4 | D7        # V7 of G minor: b9 and b13 are in the key\n5 | Gm        # tonic minor: Dorian by convention\n6 | Bb13b9b5  # bIII7 in G minor, not resolving: b9 and #11 from the symbol\n7 | D13b9b5   # V7 of G minor: the b9 is in the key, #11 and 13 from the symbol\n# bar 8: no chord printed (piano hits); the D13 holds\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\nbars: 8\n1 | DbMaj7    # tonic: the 4th is in the key\n1 | D7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2 | Bbm7      # ii of Eb7b5: Dorian\n2 | Eb7b5     # V7\u002FV in Db: the #11 from the symbol\n3 | Bm7       # a borrowed minor chord: Dorian, its own key\n3 | E         # ♭III, borrowed from Db minor: Lydian (its ♯11 is in the key)\n3 | F#\u002FE      # IV: the #4 is the key’s 7th\n3 | F\u002FE       # a non-tonic major chord: Lydian\n# alt: bar 3 (Bm7) for the whole bar\n4 | E13b9     # ♭III7 from the parallel minor: Lydian Dominant; b9 from the symbol\n5 | Em7       # ii of A9sus4: Dorian\n6 | A9sus4    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# book: A9sus\n# area: G minor (B 6 – C 1)\n6 | A7        # V7 of V7: the dominant of the dominant, on the way to G minor: b9 and b13 are in the key\n7 | D13b9b5   # V7 of G minor, the chain's last link: the b9 is in the key, #11 and 13 from the symbol\n# bar 8: no chord printed; the D13 holds\n\nsection: C\nbars: 8\n1 | Gm        # tonic minor: Dorian by convention\n# area: B minor (C 2–3)\n2 | C#7       # V7 of V7: the dominant of the dominant, on the way to B minor: b9 and b13 are in the key\n2 | F#7       # V7 of B minor, the chain's last link: b9 and b13 are in the key\n3 | Bm7       # tonic minor: Dorian by convention\n# area: G minor (C 3–7)\n3 | Bb7       # V7\u002FbVI in G minor: natural tensions\n4 | EbMaj7    # a non-tonic major chord: Lydian\n4 | D7        # V7 of G minor: b9 and b13 are in the key\n5 | Gm        # tonic minor: Dorian by convention\n6 | Bb13b9b5  # bIII7 in G minor, not resolving: b9 and #11 from the symbol\n7 | D13b9b5   # V7 of G minor: the b9 is in the key, #11 and 13 from the symbol\n# bar 8: no chord printed (piano hits); the D13 holds\n",1793484802098]