[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:odara":3},"title: Odara\ncomposer: Caetano Veloso\nstyle: Samba\nkey: Em\nform: AA, 44 bars\nrecording: Caetano Veloso; Bicho; Philips; 1977\n# analysis: 2026-10-28, rules v2; E minor\n# recording: Philips 6349 327, track A1; the composer's own first recording (rule 1); sources: MusicBrainz, Wikipedia; no official upload of the original mix (the Bicho Topic upload is a 'Nova Mixagem')\n\nsection: Intro1\n# area: E minor (Intro1 1 – A1 8)\n1  | Em7    # tonic minor: Dorian by convention\n2  | Em7\n3  | Em7\n4  | Em7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Am7    # ii of D7: Dorian\n2  | D7     # V7\u002FbIII in E minor: natural tensions\n3  | Em7    # tonic minor: Dorian by convention\n4  | Em7\n5  | Am7    # ii of D7: Dorian\n6  | D7     # V7\u002FbIII in E minor: natural tensions\n7  | Em7    # tonic minor: Dorian by convention\n8  | Em7\n# area: C# minor (A1 9 – Coda 4)\n9  | Am7    # ii of D7: Dorian\n10 | D7     # tritone substitute: resolves down a half step to C#m7\n11 | C#m7   # tonic minor: Dorian by convention\n12 | CMaj7  # a non-tonic major chord: Lydian\n13 | Bm7    # ii of the ii–V to A minor\n14 | E7b9   # V7\u002Fbvi in C# minor: the b9 from the symbol\n15 | Am7    # ii of D7: Dorian\n16 | D7     # extended ii–V: a side-step, its own key\n16 | N.C.\n17 | Em7    # a borrowed minor chord: Dorian, its own key\n18 | Em7\n19 | Em7\n20 | Em7\n21 | Em7\n22 | Em7\n@coda 14\n@nav 22 D.C. al Coda\n\nsection: A2\ncopy: A1\n\nsection: Coda\n1  | Am7    # ii of D7: Dorian\n2  | D7     # extended ii–V: a side-step, its own key\n2  | N.C.\n3  | Em7    # a borrowed minor chord: Dorian, its own key\n4  | Em7\n@coda 1\n",1793484802062]