[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:oceano":3},"title: Oceano\ncomposer: Djavan\nstyle: Slow Bossa Nova\nkey: D\ntime: 3\u002F4\nform: AABB, 64 bars\nrecording: Djavan; Djavan; CBS; 1989\nyoutube: P-lxOj0XpEE\n# analysis: 2026-10-28, rules v2; D\n# recording: the composer's own first recording (rule 1); also on the US release Puzzle of Hearts (Columbia, 1990); sources: MusicBrainz; video: DjavanVEVO 'Áudio Oficial', album Djavan (1989), 4:58\n\nsection: A1\n# area: D major (A1 1 – A2 12)\n1  | D       # tonic: the 4th is in the key\n2  | GMaj7   # IV: the #4 is the key’s 7th\n3  | A7      # V7 in D, not resolving: natural tensions\n4  | A#dim7  # vii°7 of Bm7: F#7♭9 without its root\n5  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | BmMaj7  # from the symbol: minor-major 7th\n7  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bm6     # a minor sixth chord: Dorian\n9  | Am7     # ii of the ii–V to G minor\n10 | D7      # V7\u002Fiv in D: natural tensions\n11 | Gm7     # ii of C7: Dorian\n12 | C7      # extended ii–V: a side-step, its own key\n13 | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 13 would be F# Dorian\n14 | B7b9    # extended dominant: each one falls a fifth into the next: the b9 f…; the repeat at A2 bar 14 would be B Phrygian Dominant\n15 | E9      # V7 of V7: the dominant of the dominant: natural tensions; the repeat at A2 bar 15 would be E Mixolydian b6\n16 | A9      # V7 of D: natural tensions; the repeat at A2 bar 16 would be A Mixolydian b6\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Dm      # tonic minor: Dorian by convention\n2  | C7      # V7\u002FbIII in D minor: natural tensions\n3  | FMaj7   # bIII of D minor: the relative major itself\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7b13   # V7 of D minor: b9 and b13 are in the key\n5  | Dm      # tonic minor: Dorian by convention; the repeat at B2 bar 5 would be D Aeolian\n6  | C7      # V7\u002FbIII in D minor: natural tensions\n7  | FMaj7   # bIII of D minor: the relative major itself\n8  | Gm7     # iv: Dorian, the key’s own notes\n9  | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n10 | BbMaj7  # a non-tonic major chord: Lydian\n# area: D major (B1 11 – B2 1)\n11 | Em9     # ii of the ii–V to D\n12 | A7#5    # V7 of D: #11 and b13 from the symbol\n13 | D       # tonic: the 4th is in the key\n14 | FMaj7   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n15 | GMaj7   # IV: the #4 is the key’s 7th\n16 | C7      # ♭VII7 from the parallel minor: Lydian Dominant\n\nsection: B2\ncopy: B1\n",1793484802045]