[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:oblivion":3},"title: Oblivion\ncomposer: Bud Powell\nstyle: Up Tempo Swing\nkey: Eb\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Em7     # ii of A7: Dorian\nalt 7  | EbMaj7  # tonic: the 4th is in the key\n8  | A7      # tritone substitute: resolves down a half step to AbMaj7\nalt 8  | Em7     # ii of A7: Dorian\nalt 8  | A7      # tritone substitute: resolves down a half step to AbMaj7\n9  | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Abm7    # iv7 from the parallel minor: Dorian, its notes\nalt 10 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Eb6     # tonic: the 4th is in the key\nalt 11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Cm7     # ii of F7: Dorian\n13 | F7      # V7\u002FV in Eb: natural tensions\n14 | F7\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n17 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n20 | Eb6\n@ending 1 13 16\n@ending 2 17 20\n",1793575897378]