[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-trem-azul":3},"title: O Trem Azul\ncomposer: Lô Borges\nstyle: Brazilian\nkey: C\nform: ABABC, 42 bars\nrecording: Milton Nascimento & Lô Borges; Clube da Esquina; EMI-Odeon; 1972\nyoutube: 4b7xEYhOJQ4\n# analysis: 2026-10-28, rules v2; C\n# recording: sung by Lô Borges; the composer's own first recording (rule 1); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Clube da Esquina, 4:06\n\nsection: Intro\n# area: C major (Intro 1 – A1 8)\n1  | CMaj7   # tonic: the 4th is in the key\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | CMaj7   # tonic: the 4th is in the key\n4  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n5  | FMaj7   # IV: the #4 is the key’s 7th\n6  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n7  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G13b9   # V7 of C: the b9 from the symbol\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n1  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n3  | CMaj7   # tonic: the 4th is in the key\n3  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n4  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n4  | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n5  | CMaj7   # tonic: the 4th is in the key\n5  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n7  | CMaj7   # tonic: the 4th is in the key\n7  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n8  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n# area: Db major (A1 8–10)\n8  | D7      # tritone substitute: resolves down a half step to DbMaj7\n9  | D7\n10 | DbMaj7  # tonic: the 4th is in the key\n@time 9 2\u002F4\n@time 10 4\u002F4\n\nsection: B1\n# area: C major (B1 1 – A2 8)\n1  | CMaj7   # tonic: the 4th is in the key\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | CMaj7   # tonic: the 4th is in the key\n4  | FMaj7   # IV: the #4 is the key’s 7th\n5  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | G13b9   # V7 of C: the b9 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | CMaj7   # tonic: the 4th is in the key\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | CMaj7   # tonic: the 4th is in the key\n4  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n5  | FMaj7   # IV: the #4 is the key’s 7th\n6  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n7  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G13b9   # V7 of C: the b9 from the symbol\n@coda 8\n\nsection: Coda1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | CMaj7   # tonic: the 4th is in the key\n4  | FMaj7   # IV: the #4 is the key’s 7th\n5  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | G13b9   # V7 of C: the b9 from the symbol\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484802034]