[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-tempo-me-guardou-voce":3},"title: O Tempo Me Guardou Você\ncomposer: Ivan Lins\nstyle: Slow Bossa Nova\nkey: C\nform: AAB, 30 bars\nrecording: Ivan Lins; Cantando Histórias; EMI; 2004\nyoutube: -hnWv3hqKcM\n# analysis: 2026-10-28, rules v2; C\n# recording: live CD\u002FDVD; the composer's own first recording (rule 1), earliest release found; studio version on Acariocando (EMI, 2006); theme of the telenovela Eterna Magia (2007); sources: MusicBrainz, pt.wikipedia; video: IvanLinsVEVO official upload, Cantando Histórias, 3:27\n\nsection: Intro\n# area: C major (Intro 1–6)\n1  | B13        # VII7 in C, not resolving: the b9 is in the key, the 13 from the symbol\n2  | B13\n3  | D13        # II7 in C, not resolving: natural tensions\n4  | D13\n5  | C13        # tritone substitute: resolves down a half step to B7\n6  | C13\n# area: E major (Intro 7 – Coda 11)\n7  | B7         # V7 of E: natural tensions\n8  | B7\n\nsection: A1\n1  | Eadd9      # tonic: the 4th is in the key\n2  | G#9        # III7 in E, not resolving: the b13 is in the key, the 9 from the symbol\n3  | Aadd9      # IV: the #4 is the key’s 7th\n4  | F#add9\u002FA#  # a non-tonic major chord: Lydian\n5  | E\u002FB        # tonic: the 4th is in the key\n5  | Cdim7      # vii°7 of C#m9: G#7♭9 without its root\n6  | C#m9       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | F#m7       # ii of the ii–V to E\n8  | B9         # V7 of E: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | E13        # extended dominant: V7 of A13\n2  | E13\n3  | A13        # extended dominant: V7 of D9\n4  | D9         # ♭VII7 from the parallel minor: Lydian Dominant\n4  | D\u002FC        # ♭VII, borrowed from E minor: Lydian (its ♯11 is in the key)\n5  | EMaj7\u002FB    # tonic: the 4th is in the key\n5  | C#m9       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | F#m9       # ii: Dorian, the key’s own notes\n6  | B\u002FA        # V without its 7th: Mixolydian, the key’s own notes\n7  | G#7#9#5    # extended dominant: V7 of C#13; b9, #9, #11 and b13 from the symbol\n8  | C#13       # VI7 in E, not resolving: the 13 from the symbol\n8  | C#7b9b13   # extended dominant: each one falls a fifth into the next: b9 and b13 from the symbol\n9  | F#13       # V7 of V7: the dominant of the dominant: natural tensions\n10 | B13        # V7 in E, not resolving: natural tensions\n10 | B7b9       # V7 of E: the b9 from the symbol\n11 | Eadd9      # tonic: the 4th is in the key\n12 | EMaj7      # tonic: the 4th is in the key\n13 | Eadd9      # tonic: the 4th is in the key\n14 | EMaj7      # tonic: the 4th is in the key\n@coda 9\n@nav 13 D.S. al Coda\n\nsection: Coda\n1  | B13        # V7 of the EMaj7 before it: natural tensions\n1  | G#7#9#5\u002FA  # III7 in E, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | G#13       # extended dominant: each one falls a fifth into the next: natural tensions\n3  | C#7b13     # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n4  | F#13       # V7 of V7: the dominant of the dominant: natural tensions\n5  | B13        # V7 in E, not resolving: natural tensions\n6  | FMaj7      # ♭IImaj7, borrowed from E Phrygian: Lydian (its ♯11 is in the key)\n7  | Dm7        # a borrowed minor chord: Dorian, its own key\n8  | Gm9        # a borrowed minor chord: Dorian, its own key\n9  | F#m9       # ii of the ii–V to E\n9  | B7b9       # V7 of E: the b9 from the symbol\n10 | EMaj7#11   # from the symbol: #11\n11 | EMaj7#11\n@coda 1\n",1793484802019]