[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-que-sera":3},"title: O Que Será\ncomposer: Chico Buarque\nstyle: Samba\nkey: Dm\nform: AABC, 60 bars\nrecording: Chico Buarque; Meus Caros Amigos; Philips; 1976\nyoutube: pDPCuRU6Qgg\n# analysis: 2026-10-28, rules v2; D minor\n# recording: Philips 6349 189, 'O Que Será (À Flor da Terra)' with Milton Nascimento; the composer's own first recording (rule 1); same year Milton's Geraes (EMI-Odeon) has 'À Flor da Pele' with Chico; sources: MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Meus Caros Amigos, 2:47\n\nsection: A\n1  | Dm       # tonic minor: Dorian by convention\n1  | DmMaj7   # from the symbol: minor-major 7th\n2  | Dm7      # tonic minor: Dorian by convention\n2  | Dm6      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Am       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3  | AmMaj7   # from the symbol: minor-major 7th\n4  | Am7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4  | B7\u002FD#    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Gm       # iv: Dorian, the key’s own notes\n5  | GmMaj7   # from the symbol: minor-major 7th\n6  | Gm7      # iv: Dorian, the key’s own notes\n6  | Gm6      # a minor sixth chord: Dorian\n7  | Bbm      # a borrowed minor chord: Dorian, its own key\n7  | BbmMaj7  # from the symbol: minor-major 7th\n8  | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b9     # V7 of D minor: b9 and b13 are in the key\n9  | Dm       # tonic minor: Dorian by convention\n9  | DmMaj7   # from the symbol: minor-major 7th\n10 | Dm7      # tonic minor: Dorian by convention\n10 | Dm6      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n11 | Bbm      # a borrowed minor chord: Dorian, its own key\n11 | BbmMaj7  # from the symbol: minor-major 7th\n12 | Bbm7     # a borrowed minor chord: Dorian, its own key\n12 | Bbm6     # a minor sixth chord: Dorian\n13 | F\u002FA      # bIII of D minor: the relative major itself\n13 | C#\u002FG#    # a non-tonic major chord: Lydian\n14 | Gm7      # iv: Dorian, the key’s own notes\n14 | A7       # V7 of D minor: b9 and b13 are in the key\n15 | Dm7      # ii of G13: Dorian\n16 | G13      # V7\u002FbVII in D minor: natural tensions\n17 | D7b5     # V7\u002Fiv in D minor: #11 and 13 from the symbol\n@nav 16 Fine\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | Gm       # iv: Dorian, the key’s own notes\n1  | GmMaj7   # from the symbol: minor-major 7th\n2  | Gm7      # iv: Dorian, the key’s own notes\n2  | Gm6      # a minor sixth chord: Dorian\n3  | Dm       # tonic minor: Dorian by convention\n3  | DmMaj7   # from the symbol: minor-major 7th\n4  | Dm7      # tonic minor: Dorian by convention\n4  | E7\u002FG#    # II7 in D minor, not resolving: b9 and b13 are in the key\n5  | Cm       # a borrowed minor chord: Dorian, its own key\n5  | CmMaj7   # from the symbol: minor-major 7th\n6  | Cm7      # a borrowed minor chord: Dorian, its own key\n6  | Cm6      # a minor sixth chord: Dorian\n7  | Ebm      # a borrowed minor chord: Dorian, its own key\n7  | EbmMaj7  # from the symbol: minor-major 7th\n8  | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7b9     # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n9  | Gm       # iv: Dorian, the key’s own notes\n9  | GmMaj7   # from the symbol: minor-major 7th\n10 | Gm7      # iv: Dorian, the key’s own notes\n10 | Gm6      # a minor sixth chord: Dorian\n11 | Ebm      # a borrowed minor chord: Dorian, its own key\n11 | EbmMaj7  # from the symbol: minor-major 7th\n12 | Ebm7     # a borrowed minor chord: Dorian, its own key\n12 | Ebm6     # a minor sixth chord: Dorian\n13 | Bb\u002FD     # a non-tonic major chord: Lydian\n13 | Gb\u002FDb    # a non-tonic major chord: Lydian\n14 | Cm7      # a borrowed minor chord: Dorian, its own key\n14 | D7       # V7\u002Fiv in D minor: the b13 is in the key\n15 | Gm7      # iv: Dorian, the key’s own notes\n16 | E7#9#11  # V7\u002Fv in D minor: b9, #9, #11 and 13 from the symbol\n\nsection: C\n1  | Am       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n1  | AmMaj7   # from the symbol: minor-major 7th\n2  | Am7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2  | Am6      # a minor sixth chord: Dorian\n3  | Em       # a borrowed minor chord: Dorian, its own key\n3  | EmMaj7   # from the symbol: minor-major 7th\n4  | Em7      # a borrowed minor chord: Dorian, its own key\n4  | F#7\u002FA#   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Dm       # tonic minor: Dorian by convention\n5  | DmMaj7   # from the symbol: minor-major 7th\n6  | Dm7      # tonic minor: Dorian by convention\n6  | Dm6      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | Fm       # a borrowed minor chord: Dorian, its own key\n7  | FmMaj7   # from the symbol: minor-major 7th\n8  | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7b9     # V7\u002Fv in D minor: b9 and b13 are in the key\n9  | Am       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n9  | AmMaj7   # from the symbol: minor-major 7th\n10 | Am7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n10 | Am6      # a minor sixth chord: Dorian\n11 | Em       # a borrowed minor chord: Dorian, its own key\n11 | EmMaj7   # from the symbol: minor-major 7th\n12 | Em7      # a borrowed minor chord: Dorian, its own key\n12 | Em6\u002FC#   # a minor sixth chord: Dorian\n@nav 12 D.C. al Fine\n",1793484802001]