[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-pato":3},"title: O Pato\ncomposer: Jayme Silva, Neuza Teixeira\nstyle: Bossa Nova\nkey: D\nform: AAB, 38 bars\nrecording: João Gilberto; O Amor, o Sorriso e a Flor; Odeon; 1960\n# analysis: 2026-10-28, rules v2; D\n# recording: Odeon MOFB 3151; the version that made the song known (rule 2); sources: MusicBrainz, Wikipedia; no official upload of the Odeon track found\n\nsection: A1\n1  | D69    # tonic: the 4th is in the key\n2  | D69\n3  | E9     # II7 in D, not resolving: natural tensions\n4  | E9\n5  | Em9    # ii of A13: Dorian\n6  | A13    # V7\u002FI in D: natural tensions\n6  | A7#5   # V7 of D: #11 and b13 from the symbol\n7  | D69    # tonic: the 4th is in the key\n8  | D69\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Am7    # ii of the ii–V to G\n2  | D7b9   # V7\u002FIV in D: the b9 from the symbol\n3  | GMaj7  # the D7b9 before it makes G the key of the moment: the 4th is in the key\n4  | G6     # IV: the #4 is the key’s 7th\n5  | E9     # V7 of V7: the dominant of the dominant: natural tensions\n6  | A13    # V7 of D: natural tensions\n7  | DMaj7  # tonic: the 4th is in the key\n8  | Am7    # ii of the ii–V to G\n8  | D7b9   # V7\u002FIV in D: the b9 from the symbol\n9  | GMaj7  # the D7b9 before it makes G the key of the moment: the 4th is in the key\n9  | Gm6    # a minor sixth chord: Dorian\n10 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | D7     # V7\u002FIV in D: natural tensions\n11 | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n11 | Gm6    # a minor sixth chord: Dorian\n12 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | D7     # V7\u002FIV in D: natural tensions\n13 | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n13 | Gm6    # a minor sixth chord: Dorian\n14 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | F7     # tritone substitute: resolves down a half step to E7\n15 | E7     # V7 of V7: the dominant of the dominant: natural tensions\n16 | A13    # V7 of D: natural tensions\n17 | D69    # tonic: the 4th is in the key\n18 | D69\n19 | E9     # II7 in D, not resolving: natural tensions\n20 | E9\n21 | Em9    # ii of the ii–V to D\n22 | A13    # V7 of D: natural tensions\n",1793484801993]