[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-grande-amor":3},"title: O Grande Amor\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Am\nform: ABAC, 32 bars\nrecording: Stan Getz & João Gilberto; Getz\u002FGilberto; Verve; 1964\nyoutube: oD4o9z0phYs\n# analysis: 2026-10-28, rules v2; A minor\n# recording: recorded 1963-03-18\u002F19, A&R Studios, New York, with Antonio Carlos Jobim (piano), prod. Creed Taylor (Verve V6-8545); the jazz reference, with the composer at the piano (rule 2); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Getz\u002FGilberto, 'Mono Version', 5:27\n\nsection: A1\n# area: A minor (A1 1–8)\n1 | Am      # tonic minor: Dorian by convention\n2 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant; not functioning diatonically: the symmetric scale\n3 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FbVI in A minor: natural tensions\n5 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | E7b9    # V7 of A minor: b9 and b13 are in the key\n7 | Am      # tonic minor: Dorian by convention\n8 | A7b9    # V7\u002Fiv in A minor: the b13 is in the key, the b9 from the symbol\n\nsection: B\n# area: C major (B 1–6)\n1 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n4 | FMaj7   # IV: the #4 is the key’s 7th\n5 | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6 | BbMaj7\n# area: A minor (B 7 – C 8)\n7 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9    # V7 of A minor: b9 and b13 are in the key\n\nsection: A2\n1 | Am      # tonic minor: Dorian by convention\n2 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant; not functioning diatonically: the symmetric scale\n3 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FbVI in A minor: natural tensions\n5 | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | E7b9    # V7\u002Fi in A minor: b9 and b13 are in the key\n7 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fiv in A minor: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Dm7     # iv: Dorian, the key’s own notes\n2 | Ebdim7  # vii°7 to C\u002FE, up to its bass: B7♭9 without its root\n3 | C\u002FE     # bIII of A minor: the relative major itself\n4 | FMaj7   # a non-tonic major chord: Lydian\n5 | BbMaj7  # a non-tonic major chord: Lydian\n6 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | E7b9    # V7 of A minor: b9 and b13 are in the key\n7 | Am      # tonic minor: Dorian by convention\n8 | E7b9    # V7 of A minor: b9 and b13 are in the key\n",1793484801918]