[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:o-bebado-e-a-equilibrista":3},"title: O Bêbado e a Equilibrista\ncomposer: João Bosco, Aldir Blanc\nstyle: Samba\nkey: E\nform: ABAB, 112 bars\nrecording: João Bosco; Linha de Passe; RCA Victor; 1979\n# analysis: 2026-10-28, rules v2; E\n# recording: the composer's own first recording (rule 1); Elis Regina's version on Essa Mulher (WEA, 1979) came out months later and is the famous one; sources: MusicBrainz, Folha de Pernambuco, Nova Brasil FM; no official upload confirmed as the album track\n\nsection: A1\n1  | E69       # tonic: the 4th is in the key\n2  | A13       # IV7 in E, not resolving: the #11 is in the key\n3  | E69       # tonic: the 4th is in the key\n4  | A13       # IV7 in E, not resolving: the #11 is in the key\n5  | E69       # tonic: the 4th is in the key\n6  | A13       # IV7 in E, not resolving: the #11 is in the key\n7  | EMaj7\u002FG#  # tonic: the 4th is in the key\n8  | AMaj7     # IV: the #4 is the key’s 7th\n9  | EMaj7     # tonic: the 4th is in the key\n10 | EMaj7\n11 | G#m7b5    # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C#7b9     # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n13 | F#mMaj7   # from the symbol: minor-major 7th\n14 | F#m7      # ii: Dorian, the key’s own notes\n15 | AMaj7     # IV: the #4 is the key’s 7th\n16 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n17 | F#m7      # ii: Dorian, the key’s own notes\n18 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n19 | AMaj7     # IV: the #4 is the key’s 7th\n20 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n21 | F#m7      # ii: Dorian, the key’s own notes\n22 | C13       # tritone substitute: resolves down a half step to B13\n23 | B13       # V7 in E, not resolving: natural tensions\n24 | B13\n25 | F#m9      # ii of B13: Dorian\n26 | B13       # V7\u002FI in E: natural tensions\n27 | D7        # tritone substitute: resolves down a half step to Db7\n27 | Db7       # tritone substitute: resolves down a half step to C7\nalt 27 | E69       # tonic: the 4th is in the key\nalt 27 | Db7       # VI7 in E, not resolving: the b13 is in the key\n28 | C7        # tritone substitute: resolves down a half step to B7\n28 | B7        # V7 of E: natural tensions\nalt 28 | B13       # V7 in E, not resolving: natural tensions\nalt 28 | B7        # V7 of E: natural tensions\n\nsection: B1\n1  | E69       # tonic: the 4th is in the key\n2  | E69\n3  | F#m7\u002FE    # ii: Dorian, the key’s own notes\n4  | F#m7\u002FE\n5  | EMaj9     # tonic: the 4th is in the key\n6  | EMaj9\n7  | F#m7\u002FE    # ii: Dorian, the key’s own notes\n8  | F#m7\u002FE\n9  | G#m7b5    # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C#7b9     # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n11 | D6        # ♭VII6, borrowed from E minor: Lydian (its ♯11 is in the key)\n12 | C#7       # V7\u002Fii in E: the b13 is in the key\n13 | F#mMaj7   # from the symbol: minor-major 7th\n14 | F#m7      # ii: Dorian, the key’s own notes\n15 | Am9       # ii of D9: Dorian\n16 | D9        # extended ii–V: a side-step, its own key\n17 | Am7       # ii of D7: Dorian\n18 | D7        # extended ii–V: a side-step, its own key\n18 | D#7       # VII7 in E, not resolving: b9 and b13 are in the key\n19 | EMaj7     # tonic: the 4th is in the key\n20 | A13       # tritone substitute: resolves down a half step to G#m7\n21 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | C#7       # extended dominant: V7 of F#13\n23 | F#13      # II7 in E, not resolving: natural tensions\n24 | F#7#5     # II7 in E, not resolving: #11 and b13 from the symbol\n25 | D13       # ♭VII7 from the parallel minor: Lydian Dominant\n26 | B13       # V7 of E: natural tensions\n27 | E69       # tonic: the 4th is in the key\n28 | B7        # V7 of E: natural tensions\n@coda 24\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: Coda\n1  | F#m7      # ii: Dorian, the key’s own notes\n2  | D13       # tritone substitute: resolves down a half step to C#13\n3  | C#13      # VI7 in E, not resolving: the 13 from the symbol\n4  | C#13\n5  | Am7       # ii of D9: Dorian\n6  | D9        # extended ii–V: a side-step, its own key\n7  | Am7       # ii of D9: Dorian\n8  | D9        # extended ii–V: a side-step, its own key\n8  | D#7       # VII7 in E, not resolving: b9 and b13 are in the key\n9  | EMaj7     # tonic: the 4th is in the key\n10 | A13       # tritone substitute: resolves down a half step to G#m7\n11 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | C#7#9     # extended dominant: V7 of F#13; b9, #9 and #11 from the symbol\n13 | F#13      # II7 in E, not resolving: natural tensions\n14 | F#7       # II7 in E, not resolving: natural tensions\n15 | F#m7      # ii of the ii–V to E\n16 | B13b9     # V7 of E: the b9 from the symbol\n17 | E69       # tonic: the 4th is in the key\n@coda 1\n",1793484801909]