[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:novo-tempo":3},"title: Novo Tempo\ncomposer: Ivan Lins\nstyle: Brazilian\nkey: C\nform: AAB, 43 bars\nrecording: Ivan Lins; Novo Tempo; EMI-Odeon; 1980\n# analysis: 2026-10-28, rules v2; C\n# recording: title track; the composer's own first recording (rule 1); sources: MusicBrainz, pt.wikipedia; no official upload of the album track found\n\nsection: Intro1\n# area: C major (Intro1 1 – A1 9)\n1  | A          # a non-tonic major chord: Lydian\n2  | AMaj7      # a non-tonic major chord: Lydian\n3  | A7         # VI7 in C, not resolving: the b13 is in the key\n4  | A6         # a non-tonic major chord: Lydian\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | A          # a non-tonic major chord: Lydian; the repeat at A2 bar 1 would be A Ionian\n2  | AMaj7      # a non-tonic major chord: Lydian; the repeat at A2 bar 2 would be A Ionian\n3  | A7         # VI7 in C, not resolving: the b13 is in the key; the repeat at A2 bar 3 would be A Mixolydian\n4  | A6         # a non-tonic major chord: Lydian; the repeat at A2 bar 4 would be A Ionian\n5  | A          # a non-tonic major chord: Lydian; the repeat at A2 bar 5 would be A Ionian\n6  | C#m11      # a borrowed minor chord: Dorian, its own key; the repeat at A2 bar 6 would be C# Phrygian\n7  | F#m7       # a borrowed minor chord: Dorian, its own key; the repeat at A2 bar 7 would be F# Aeolian\n8  | F#m9       # a borrowed minor chord: Dorian, its own key; the repeat at A2 bar 8 would be F# Aeolian\n9  | Bm7        # a borrowed minor chord: Dorian, its own key\n9  | Bm7\u002FA      # a borrowed minor chord: Dorian, its own key\n# area: F# minor (A1 10–13)\n10 | G#m7b5     # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C#7b9      # V7 of F# minor: b9 and b13 are in the key\n11 | F#m7       # tonic minor: Dorian by convention; the repeat at A2 bar 11 would be F# Aeolian\n12 | D#m7b5     # viø7 in F# minor: Locrian, its own mode (the chord is outside the key)\n12 | AMaj7\u002FE    # bIII of F# minor: the relative major itself\n13 | D\u002FF#       # a non-tonic major chord: Lydian\n# area: A major (A1 13 – B 15)\n13 | Bm7        # ii of the ii–V to A\n14 | E7         # V7 of A: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | E\u002FD        # V without its 7th: Mixolydian, the key’s own notes\n2  | D          # IV: the #4 is the key’s 7th\n3  | E\u002FD        # V without its 7th: Mixolydian, the key’s own notes\n4  | D          # IV: the #4 is the key’s 7th\n5  | A\u002FC#       # tonic: the 4th is in the key\n6  | F#7        # extended dominant: V7 of B7\n7  | B7         # back door bVII7 to C#Maj7: natural tensions\n8  | C#Maj7     # a non-tonic major chord: Lydian\n9  | F#Maj7\u002FC#  # a non-tonic major chord: Lydian\n10 | C#Maj7     # a non-tonic major chord: Lydian\n11 | F#Maj7\u002FC#  # a non-tonic major chord: Lydian\n12 | EMaj7      # a non-tonic major chord: Lydian\n13 | AMaj7\u002FE    # tonic: the 4th is in the key\n14 | E7         # V7 of the AMaj7\u002FE before it: natural tensions\n15 | Em7        # a borrowed minor chord: Dorian, its own key\n@nav 15 D.S. al Fine\n@nav 15 Fine\n",1793484801880]