[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:noturna":3},"title: Noturna\ncomposer: Ivan Lins\nstyle: Slow Bossa Nova\nkey: E\nform: AA, 40 bars\nrecording: Ivan Lins; Anjo de Mim; Velas; 1995\nyoutube: aVvO7rELipo\n# analysis: 2026-10-28, rules v2; E\n# recording: the composer's own first recording (rule 1); sources: MusicBrainz, pt.wikipedia, Nova Brasil FM; video: Gravadora Galeão (the label's channel) upload, album Anjo de Mim, 3:49\n\nsection: Intro\n1  | E          # tonic: the 4th is in the key\n1  | A69\u002FC#     # IV: the #4 is the key’s 7th\n1  | EMaj7\u002FB    # tonic: the 4th is in the key\n1  | Bb9#11     # tritone substitute: resolves down a half step to AMaj7\n2  | AMaj7      # the Bb9#11 before it makes A the key of the moment: the 4th is in the key\n2  | A6         # IV: the #4 is the key’s 7th\n2  | F#add9\u002FA#  # a non-tonic major chord: Lydian\n3  | EMaj7\u002FB    # tonic: the 4th is in the key\n3  | C#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Dm7        # ii of G13: Dorian\n3  | G13        # tritone substitute: resolves down a half step to F#m11\n4  | F#m11      # ii: Dorian, the key’s own notes\n4  | Am6\u002FC      # a minor sixth chord: Dorian\n4  | B9         # V7 in E, not resolving: natural tensions\n4  | B13        # V7 of E: natural tensions\n\nsection: A1\n1  | Eadd9      # tonic: the 4th is in the key\n2  | G#7#9#5    # V7\u002Fvi in E: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | C#m9       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | G#add9\u002FC   # a non-tonic major chord: Lydian\n5  | Bm9        # ii of E13: Dorian\n6  | E13        # V7\u002FIV in E: natural tensions\n7  | A#m7b5     # #ivø7 in E: Locrian, its own mode (the chord is outside the key)\n8  | Am6        # a minor sixth chord: Dorian\n9  | Eadd9\u002FG#   # tonic: the 4th is in the key\n10 | G13        # ♭III7 from the parallel minor: Lydian Dominant\n10 | G7         # tritone substitute: resolves down a half step to F#m9\n11 | F#m9       # ii: Dorian, the key’s own notes\n11 | Em9        # a borrowed minor chord: Dorian, its own key\n12 | D#m7b5     # iiø7 of C# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G#7b9b13   # V7\u002Fvi in E: b9 and b13 are in the key\n13 | C#m9       # ii of F#13: Dorian\n14 | F#13       # V7 of V7: the dominant of the dominant: natural tensions\n15 | B13        # V7 in E, not resolving: natural tensions\n16 | B7#9#5     # V7 of E: b9, #9, #11 and b13 from the symbol\n17 | EMaj9#11   # from the symbol: #11\n18 | EMaj9#11\n19 | EMaj9#11\n20 | EMaj9#11\n\nsection: A2\ncopy: A1\n",1793484801873]