[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nobody-knows-you-when-youre-down-and-out":3},"title: Nobody Knows You When You're Down and Out\ncomposer: Jimmy Cox\nstyle: Medium Blues\nkey: C\nform: ABB, 52 bars\nrecording: Bessie Smith; The Bessie Smith Story, Volume 2; Columbia; 1951\nyoutube: gfihDIRIpG4\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1929-05-15, New York, with Clarence Williams (piano), Ed Allen (cornet), Garvin Bushell, Greely Walton, Cyrus St. Clair, matrix W148534-3, the first recording of the Jimmy Cox song; first issued on 78 (Columbia 14451-D), 1929; first LP GL 504 (1951); sources: DAHR, Discogs, Wikipedia; video: \"Provided to YouTube by Legacy\u002FColumbia\", The Complete Recordings, Vol. 4, the same take\n\nsection: A\n1  | C   # tonic: the 4th is in the key\n1  | E7  # V7 of A7, on the way to D minor: b9 and b13 are in the key\n2  | A7  # V7 of D minor, the chain's last link: b9 and b13 are in the key\n3  | Dm  # ii: Dorian, the key’s own notes\n3  | A7  # V7\u002Fii in C: the b13 is in the key\n4  | Dm  # ii: Dorian, the key’s own notes\n5  | F   # IV: the #4 is the key’s 7th\n5  | B7  # VII7 in C, not resolving: b9 and b13 are in the key\n6  | C   # tonic: the 4th is in the key\n6  | A7  # extended dominant: each one falls a fifth into the next: natural tensions\n7  | D7  # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7  # V7 of C: natural tensions\n9  | C   # tonic: the 4th is in the key\n9  | E7  # V7 of A7, on the way to D minor: b9 and b13 are in the key\n10 | A7  # V7 of D minor, the chain's last link: b9 and b13 are in the key\n11 | Dm  # ii: Dorian, the key’s own notes\n11 | A7  # V7\u002Fii in C: the b13 is in the key\n12 | Dm  # ii: Dorian, the key’s own notes\n13 | F   # IV: the #4 is the key’s 7th\n13 | B7  # VII7 in C, not resolving: b9 and b13 are in the key\n14 | C   # tonic: the 4th is in the key\n14 | A7  # extended dominant: each one falls a fifth into the next: natural tensions\n15 | D7  # V7 of V7: the dominant of the dominant: natural tensions\n16 | G7  # V7 of C: natural tensions\n\nsection: B1\n1  | C   # tonic: the 4th is in the key\n1  | E7  # V7 of A7, on the way to D minor: b9 and b13 are in the key\n2  | A7  # V7 of D minor, the chain's last link: b9 and b13 are in the key\n3  | Dm  # ii: Dorian, the key’s own notes\n3  | A7  # V7\u002Fii in C: the b13 is in the key\n4  | Dm  # ii: Dorian, the key’s own notes\n5  | F   # IV: the #4 is the key’s 7th\n5  | B7  # VII7 in C, not resolving: b9 and b13 are in the key\n6  | C   # tonic: the 4th is in the key\n6  | A7  # extended dominant: each one falls a fifth into the next: natural tensions\n7  | D7  # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7  # V7 of C: natural tensions\n9  | C   # tonic: the 4th is in the key\n9  | E7  # V7 of A7, on the way to D minor: b9 and b13 are in the key\n10 | A7  # V7 of D minor, the chain's last link: b9 and b13 are in the key\n11 | Dm  # ii: Dorian, the key’s own notes\n11 | A7  # V7\u002Fii in C: the b13 is in the key\n12 | Dm  # ii: Dorian, the key’s own notes\n13 | F   # IV: the #4 is the key’s 7th\n13 | B7  # VII7 in C, not resolving: b9 and b13 are in the key\n14 | C   # tonic: the 4th is in the key\n14 | A7  # extended dominant: each one falls a fifth into the next: natural tensions\n15 | D7  # V7 of V7: the dominant of the dominant: natural tensions\n16 | G7  # V7 of C: natural tensions\n16 | C   # tonic: the 4th is in the key\n16 | A7  # extended dominant: each one falls a fifth into the next: natural tensions\n17 | D7  # V7 of V7: the dominant of the dominant: natural tensions\n17 | G7  # V7 of C: natural tensions\n18 | C   # tonic: the 4th is in the key\n\nsection: B2\ncopy: B1\n",1793484801867]