[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nobody-else-but-me":3},"title: Nobody Else But Me\ncomposer: Jerome Kern\nstyle: Medium Swing\nkey: C\nform: ABAC, 36 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–5)\n1  | CMaj7     # tonic: the 4th is in the key\n1  | F7        # tritone substitute: resolves down a half step to Em7\n2  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7        # V7\u002Fii in C: the b13 is in the key\n3  | Dm7       # ii of G7: Dorian\n4  | G7        # V7\u002FI in C: natural tensions\n5  | Dm7       # ii of G7: Dorian\n5  | G7        # V7\u002FI in C: natural tensions\n# area: B major (A1 6 – B 4)\n6  | C#m7      # ii of the ii–V to B\n6  | F#7       # V7 of B: natural tensions\n7  | BMaj7     # tonic: the 4th is in the key\n8  | F#m7      # ii of the ii–V to E\n8  | B7        # V7\u002FIV in B: natural tensions\nalt 8  | F7#11     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\nalt 8  | B7        # V7\u002FIV in B: natural tensions\n\nsection: B\n1  | EMaj7     # the B7 before it makes E the key of the moment: the 4th is in the key\n2  | Fdim7     # ♯IV°7 to I over its 5th: Bb7♭9 without its root, the ♯II°7's notes\n3  | BMaj7\u002FF#  # tonic: the 4th is in the key\n4  | Eb7\u002FG     # III7 in B, not resolving: b9 and b13 are in the key\n# area: C major (B 5 – C 12)\n5  | Am7       # ii of D7: Dorian\n6  | D7        # V7\u002FV in C: natural tensions\n7  | Dm7       # ii of the ii–V to C\n8  | G7        # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7     # tonic: the 4th is in the key\n1  | F7        # tritone substitute: resolves down a half step to Em7\n2  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7        # V7\u002Fii in C: the b13 is in the key\n3  | Dm7       # ii of G7: Dorian\n4  | G7        # V7\u002FI in C: natural tensions\n5  | Dm7       # ii: Dorian, the key’s own notes\n5  | E7        # V7\u002Fvi in C: b9 and b13 are in the key\n6  | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Ab7       # tritone substitute: resolves down a half step to Gm7\n7  | Gm7       # ii of the ii–V to F\n8  | C7        # V7\u002FIV in C: natural tensions\nalt 8  | C#m7      # ii of F#7: Dorian\nalt 8  | F#7       # tritone substitute: resolves down a half step to FMaj7\n\nsection: C\n1  | FMaj7     # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | Fm7       # ii of Bb7: Dorian\n2  | Bb7       # back door bVII7 to CMaj7: the #11 is in the key\n3  | CMaj7     # tonic: the 4th is in the key\n3  | A7        # extended dominant: V7 of D7\n4  | D7        # tritone substitute: resolves down a half step to Db7\n4  | Db7       # tritone substitute: resolves down a half step to CMaj7\n5  | CMaj7     # tonic: the 4th is in the key\n6  | C#dim7    # vii°7 of Dm7: A7♭9 without its root\n7  | Dm7       # ii: Dorian, the key’s own notes\n8  | D#dim7    # passing diminished: a rootless dominant ♭9\n9  | Dm7       # ii: Dorian, the key’s own notes\n10 | Ab7       # tritone substitute: resolves down a half step to G7\n10 | G7        # V7 of C: natural tensions\n11 | C6        # tonic: the 4th is in the key\nalt 11 | C6        # tonic: the 4th is in the key\nalt 11 | EbMaj7    # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n12 | C6\nalt 12 | AbMaj7    # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\nalt 12 | C6        # tonic: the 4th is in the key\nalt 12 | EbMaj7    # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\nalt 12 | DbMaj7    # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n",1793575897056]