[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:no-moe":3},"title: No Moe\ncomposer: Sonny Rollins\nstyle: Up Tempo Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | G7      # V7\u002Fii in Bb: the b13 is in the key\n2  | Cm7     # ii of F7: Dorian\n2  | F7      # V7\u002FI in Bb: natural tensions\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7      # V7\u002Fii in Bb: the b13 is in the key\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7      # V7\u002Fii in Bb: the b13 is in the key\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n9  | Cm7     # ii of the ii–V to Bb\n9  | F7      # V7 of Bb: natural tensions\n10 | Bb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n2  | D7\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | G7\n5  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7\n7  | F7      # V7 of Bb: natural tensions\n8  | F7\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | G7      # V7\u002Fii in Bb: the b13 is in the key\n2  | Cm7     # ii of F7: Dorian\n2  | F7      # V7\u002FI in Bb: natural tensions\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7      # V7\u002Fii in Bb: the b13 is in the key\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Cm7     # ii of the ii–V to Bb\n7  | F7      # V7 of Bb: natural tensions\n8  | Bb6     # tonic: the 4th is in the key\n",1793575896991]