[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:new-picture":3},"title: New Picture\ncomposer: Jimmy Heath\nstyle: Waltz\nkey: Bb\ntime: 3\u002F4\nform: ABCD, 40 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: Intro\n# area: Bb major (Intro 1 – A 12)\n1  | BbMaj7     # tonic: the 4th is in the key\n2  | BbMaj7\n3  | EbmMaj7    # from the symbol: minor-major 7th\n4  | EbmMaj7\n5  | BbMaj7     # tonic: the 4th is in the key\n6  | BbMaj7\n7  | EbmMaj7    # from the symbol: minor-major 7th\n8  | EbmMaj7\n\nsection: A\n1  | BbMaj7     # tonic: the 4th is in the key\n2  | G7#9       # tritone substitute: resolves down a half step to Gb7; b9 and #9 from the symbol\n3  | Gb7        # tritone substitute: resolves down a half step to F7\n4  | F7         # V7 in Bb, not resolving: natural tensions\n4  | Ebdim7     # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n5  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G7         # V7\u002Fii in Bb: the b13 is in the key\n7  | Cm7        # ii of F7: Dorian\n8  | F7         # V7\u002FI in Bb: natural tensions\n9  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7#9       # V7\u002Fii in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Cm7        # ii of F7: Dorian\n12 | F7         # V7\u002FI in Bb: natural tensions\n# area: D major (A 13 – C 7)\n13 | Em7b5      # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Em7b5\n15 | A7#9       # V7 of D: b9, #9 and #11 from the symbol\n16 | A7#9\n\nsection: B\n1  | DMaj7      # tonic: the 4th is in the key\n2  | B7#9       # V7\u002Fii in D: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Em7        # ii: Dorian, the key’s own notes\n4  | Fm7        # a borrowed minor chord: Dorian, its own key\n5  | EbMaj7#11  # from the symbol: #11\n6  | EbMaj7#11\n7  | D7#9       # V7\u002FIV in D: b9, #9 and #11 from the symbol\n8  | D7#9\n\nsection: C\n1  | GMaj7      # the D7#9 before it makes G the key of the moment: the 4th is in the key\n2  | AbMaj7     # a non-tonic major chord: Lydian\n2  | DbMaj7     # a non-tonic major chord: Lydian\n3  | FMaj7      # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n4  | GbMaj7     # a non-tonic major chord: Lydian\n4  | BMaj7      # a non-tonic major chord: Lydian\n5  | EbMaj7     # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n6  | EMaj7      # a non-tonic major chord: Lydian\n6  | AMaj7      # a non-tonic major chord: Lydian\n7  | DbMaj7     # a non-tonic major chord: Lydian\n# area: Bb major (C 8 – D 8)\n8  | Cm7b5      # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F7         # V7 of Bb: natural tensions\n\nsection: D\n1  | BbMaj7     # tonic: the 4th is in the key\n2  | BbMaj7\n3  | EbmMaj7    # from the symbol: minor-major 7th\n4  | EbmMaj7\n5  | BbMaj7     # tonic: the 4th is in the key\n6  | BbMaj7\n7  | EbmMaj7    # from the symbol: minor-major 7th\n8  | EbmMaj7\n",1793575896857]