[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nevertheless":3},"title: Nevertheless\ncomposer: Kalmar, Harry Ruby\nstyle: Ballad\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | Bb6     # tonic: the 4th is in the key\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm6 its ii)\n3 | Cm6     # a minor sixth chord: Dorian\n3 | F7      # V7\u002FI in Bb: natural tensions\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7b13   # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii: Dorian, the key’s own notes\n5 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n7 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1 | Bb6     # tonic: the 4th is in the key\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm6 its ii)\n3 | Cm6     # a minor sixth chord: Dorian\n3 | F7      # V7\u002FI in Bb: natural tensions\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7b13   # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii: Dorian, the key’s own notes\n5 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | Gm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | F#m     # a borrowed minor chord: Dorian, its own key\n\nsection: B\n1 | Fm7     # ii of Bb7: Dorian\n1 | Bb7     # V7\u002FIV in Bb: natural tensions\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4 | EbMaj7\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FV in Bb: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FV in Bb: natural tensions\n7 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A3\n1 | Bb6     # tonic: the 4th is in the key\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm6 its ii)\n3 | Cm6     # a minor sixth chord: Dorian\n3 | F7      # V7\u002FI in Bb: natural tensions\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7b13   # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii: Dorian, the key’s own notes\n5 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n",1793575896847]