[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:never-let-me-go":3},"title: Never Let Me Go\ncomposer: Jay Livingston\nstyle: Ballad\nkey: Bb\nform: ABC, 28 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n# area: Bb major (A 1–6)\n1  | Gm7      # ii of C7sus: Dorian\n2  | C7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | C7b13    # V7\u002Fv in Bb: the b13 from the symbol\n3  | Fm7      # ii of Bb7sus: Dorian\n4  | Bb7sus   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | Bb7      # V7\u002FIV in Bb: natural tensions\n5  | EbMaj7   # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | D7sus    # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Db major (A 6–8)\n6  | D7       # tritone substitute: resolves down a half step to DbMaj7\n7  | DbMaj7   # tonic: the 4th is in the key\n8  | C7sus    # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | C7       # VII7 in Db, not resolving: b9 and b13 are in the key\n\nsection: B\n# area: Bb major (B 1–4)\n1  | Cm7      # ii of F7sus: Dorian\n2  | F7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | F13b9    # V7 of Bb: the b9 from the symbol\n3  | BbmMaj7  # from the symbol: minor-major 7th\n4  | Eb7sus   # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Ab major (B 4–5)\n4  | Eb7      # V7 of Ab: natural tensions\n5  | AbMaj7   # tonic: the 4th is in the key\n# area: C major (B 6 – C 2)\n6  | Dm7b5    # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9     # V7 of C: the b9 from the symbol\n7  | CMaj7    # tonic: the 4th is in the key\n7  | Dm7      # ii: Dorian, the key’s own notes\n8  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7b9     # V7\u002Fv in C: the b9 from the symbol\n\nsection: C\n1  | Gm7      # ii of C7sus: Dorian\n2  | C7sus    # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | C7b13    # V7\u002Fiv in C: the b13 from the symbol\n# area: Bb major (C 3–12)\n3  | Fm7      # ii of Bb7sus: Dorian\n4  | Bb7sus   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | Bb7      # V7\u002FIV in Bb: natural tensions\n5  | EbMaj7   # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | D7sus    # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | D7       # V7\u002Fvi in Bb: b9 and b13 are in the key\n7  | Gm       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | GmMaj7   # from the symbol: minor-major 7th\n8  | C7       # V7\u002FV in Bb: natural tensions\n9  | Cm7      # ii of F7: Dorian\n10 | F7       # V7\u002FI in Bb: natural tensions\n10 | Ebm\u002FF    # iv from the parallel minor: Dorian, its notes\n11 | Bb6      # tonic: the 4th is in the key\n12 | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7b9     # V7\u002Fvi in Bb: b9 and b13 are in the key\n",1793575896828]