[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nascimento":3},"title: Nascimento\ncomposer: Barry Harris\nstyle: Bossa Nova\nkey: C\nform: ABABC, 38 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Intro1\n# area: B major (Intro1 1 – A1 6)\n1 | GMaj7    # ♭VImaj7, borrowed from B minor: Lydian (its ♯11 is in the key)\n2 | C7       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3 | GMaj7    # ♭VImaj7, borrowed from B minor: Lydian (its ♯11 is in the key)\n4 | C7       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | BMaj7    # tonic: the 4th is in the key\n2 | BMaj7\n3 | Fm7b5    # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | Bb7      # V7\u002Fiii in B: b9 and b13 are in the key\n5 | Ebm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ebm7\u002FDb  # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Bb major (A1 7 – B1 1)\n7 | Cm7b5    # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7       # V7 of Bb: natural tensions\n\nsection: B1\n1 | BbMaj7   # tonic: the 4th is in the key\n# area: G major (B1 2–3)\n2 | Am7b5    # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7       # V7 of G: natural tensions\n3 | GMaj7    # tonic: the 4th is in the key\n# area: E major (B1 4–5)\n4 | F#m7b5   # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | B7       # V7 of E: natural tensions\n5 | EMaj7    # tonic: the 4th is in the key\n# area: Db major (B1 6–7)\n6 | Ebm7b5   # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Ab7      # V7 of Db: natural tensions\n7 | DbMaj7   # tonic: the 4th is in the key\n# area: B major (B1 8 – A2 6)\n8 | F#7      # V7 of B: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B2\n1 | BbMaj7   # tonic: the 4th is in the key\n2 | Am7b5    # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7       # V7\u002Fvi in Bb: b9 and b13 are in the key\n3 | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7       # V7\u002Fvii in Bb: b9 and b13 are in the key\n# area: G major (B2 5 – C 7)\n5 | Am7      # ii of the ii–V to G\n6 | D7       # V7 of G: natural tensions\n\nsection: C\n1 | GMaj7    # tonic: the 4th is in the key\n2 | C7       # IV7 in G, not resolving: the #11 is in the key\n3 | GMaj7    # tonic: the 4th is in the key\n4 | C7       # IV7 in G, not resolving: the #11 is in the key\n5 | GMaj7    # tonic: the 4th is in the key\n6 | C7       # IV7 in G, not resolving: the #11 is in the key\n7 | GMaj7    # tonic: the 4th is in the key\n# area: B major (C 8)\n8 | C7       # tritone substitute: resolves down a half step to BMaj7\n",1793575896729]