[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nao-deixe-o-samba-morrer":3},"title: Não Deixe o Samba Morrer\ncomposer: Edson Conceição, Aloísio Silva\nstyle: Samba\nkey: Bm\nform: AABBCC, 74 bars\nrecording: Alcione; A Voz do Samba; Philips; 1975\n# analysis: 2026-10-28, rules v2; B minor\n# recording: Philips 6349 155, her debut LP; the first release, the one that made the song known (rule 2); sources: MusicBrainz; no official upload of the album track found\n\nsection: A1\n# area: B minor (A1 1–8)\n1  | Bm7     # tonic minor: Dorian by convention\n2  | Bm7\n3  | Em7     # iv: Dorian, the key’s own notes\n4  | Em7\n5  | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7b9   # V7 of B minor: b9 and b13 are in the key\n7  | Bm7     # tonic minor: Dorian by convention\n8  | Bm7\n# area: D major (A1 9–13)\n9  | Em7     # ii of the ii–V to D\n10 | A7      # V7 of D: natural tensions\n11 | DMaj7   # tonic: the 4th is in the key\n12 | D7      # extended dominant: V7 of G7\n13 | G7      # tritone substitute: resolves down a half step to F#7b9\n# area: B minor (A1 14 – A2 8)\n14 | F#7b9   # V7 of B minor: b9 and b13 are in the key\n15 | Bm7     # tonic minor: Dorian by convention\n16 | F#7b9   # V7 of B minor: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: D major (B 1–9)\n1  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | DMaj7   # tonic: the 4th is in the key\n4  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9    # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n5  | Em7     # ii: Dorian, the key’s own notes\n6  | C#m7b5  # viiø7 in D: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | DMaj7   # tonic: the 4th is in the key\n8  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | G7      # tritone substitute: resolves down a half step to F#7b13\n# area: B minor (B 10 – C2 8)\n10 | F#7b13  # V7 of B minor: b9 and b13 are in the key\n11 | Bm7     # tonic minor: Dorian by convention\n12 | B7      # I7 in B minor, not resolving: the b13 is in the key\n13 | Bm7     # tonic minor: Dorian by convention\n14 | Bm7\n15 | N.C.\n16 | N.C.\n@ending 1 11 12\n@ending 2 13 16\n\nsection: C1\n1  | Em7     # iv: Dorian, the key’s own notes\n2  | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | F#7     # V7 of B minor: b9 and b13 are in the key\n3  | Bm7     # tonic minor: Dorian by convention\n4  | Bm7\n5  | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7     # V7 of B minor: b9 and b13 are in the key\n7  | Bm7     # tonic minor: Dorian by convention\n8  | Bm7\n\nsection: C2\ncopy: C1\n",1793484801716]