[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nancy-with-the-laughing-face":3},"title: Nancy (With The Laughing Face)\ncomposer: Jimmy Van Heusen\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Fm7     # ii: Dorian, the key’s own notes\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Ab7     # tritone substitute: resolves down a half step to Gm7\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7  # passing diminished: a rootless dominant ♭9\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | Fm7\u002FEb  # ii: Dorian, the key’s own notes\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FV in Eb: natural tensions\n8  | Fm7     # ii: Dorian, the key’s own notes\n8  | C7b9    # V7 of the Fm7 before it: the b13 is in the key, the b9 from the symbol\n9  | Cm7     # ii of F7: Dorian\n9  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Cm6     # a minor sixth chord: Dorian\n2  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm6     # a minor sixth chord: Dorian\n4  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii: Dorian, the key’s own notes\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # extended dominant: V7 of Bb7sus\n8  | Bb7sus  # static sus: Mixolydian\n8  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n\nsection: A2\n1  | Fm7     # ii: Dorian, the key’s own notes\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Ab7     # tritone substitute: resolves down a half step to Gm7\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7  # passing diminished: a rootless dominant ♭9\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | Fm7\u002FEb  # ii: Dorian, the key’s own notes\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n8  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n",1793575896687]