[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:naima":3},"title: Naima\ncomposer: John Coltrane\nstyle: Ballad\nkey: Ab\nform: AABC, 20 bars\nrecording: John Coltrane; Giant Steps; Atlantic; 1960\nyoutube: bPAC6zt_1ZM\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1959-12-02, released 1960 (MusicBrainz release group, Wikipedia)\n\n# bar | chord | scale\n\nsection: Coda\n1 | Bbm     # ii: Dorian, the key’s own notes\n1 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n2 | AbMaj7  # tonic: the 4th is in the key\n4 | B7#11   # ♭III7 from the parallel minor: Lydian Dominant\n4 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n5 | AbMaj7  # tonic: the 4th is in the key\n5 | DbMaj7  # IV: the #4 is the key’s 7th\n6 | AbMaj7  # tonic: the 4th is in the key\n6 | DbMaj7  # IV: the #4 is the key’s 7th\n7 | AbMaj7  # tonic: the 4th is in the key\n7 | DbMaj7  # IV: the #4 is the key’s 7th\n8 | AbMaj7  # tonic: the 4th is in the key\n\nsection: A1\n# the A and C sections sit over an Eb bass pedal, the bridge over Bb; the coda is a plagal AbMaj7 DbMaj7 vamp\n1 | Bbm     # ii: Dorian, the key’s own notes\n2 | Ebm     # a borrowed minor chord: Dorian, its own key\n3 | B7#11   # ♭III7 from the parallel minor: Lydian Dominant\n3 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n4 | AbMaj7  # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | BMaj7   # ♭IIImaj7, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n2 | Bb7alt  # from the symbol: altered\n3 | BMaj7   # ♭IIImaj7, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n4 | Bb7b9   # II7 in Ab, not resolving: the b9 from the symbol\n5 | E7#11   # ♭VI7 from the parallel minor: Lydian Dominant\n6 | BMaj7   # ♭IIImaj7, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n7 | Fm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Gb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n\nsection: C\n1 | Bbm     # ii: Dorian, the key’s own notes\n2 | Ebm     # a borrowed minor chord: Dorian, its own key\n3 | B7#11   # ♭III7 from the parallel minor: Lydian Dominant\n3 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n4 | AbMaj7  # tonic: the 4th is in the key\n",1793484801681]