[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:nacada":3},"title: Nacada\ncomposer: Pat Metheny\nstyle: Ballad\nkey: G\nform: A, 8 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n# area: D major (A 1–2)\n1 | GMaj9      # the D7 before it makes G the key of the moment: the 4th is in the key\n1 | Em9        # ii: Dorian, the key’s own notes\n2 | EbMaj7#11  # from the symbol: #11\n2 | B7#9#5     # V7\u002Fii in D: the b13 is in the key, b9, #9 and #11 from the symbol\n# area: Ab major (A 3–4)\n3 | Em9        # ii of A13: Dorian\n3 | A13        # tritone substitute: resolves down a half step to AbMaj9\n4 | AbMaj9     # tonic: the 4th is in the key\n4 | Db9#11     # IV7 in Ab, not resolving: the #11 is in the key\n# area: E major (A 4–5)\n4 | Cm7b5      # iiø7 of F7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | F7#9       # tritone substitute: resolves down a half step to EMaj9; b9 and #9 from the symbol\n5 | EMaj9      # tonic: the 4th is in the key\n# area: D major (A 5–7)\n5 | A13        # V7 of D: natural tensions\n6 | DMaj7      # tonic: the 4th is in the key\n6 | Bm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | BbMaj7     # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7 | Eb9#11     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: G major (A 8 – Coda 2)\n8 | Am7        # ii of the ii–V to G\n8 | D7         # V7 of G: natural tensions\n@coda 5\n\nsection: Coda\n1 | DMaj7      # a non-tonic major chord: Lydian\n1 | Bm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | BbMaj7     # ♭IIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# area: D major (Coda 2–3)\n2 | Eb9#11     # tritone substitute: resolves down a half step to DMaj7\n3 | DMaj7      # tonic: the 4th is in the key\n@coda 1\n",1793575896624]