[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-song":3},"title: My Song\ncomposer: Keith Jarrett\nstyle: Even 8ths\nkey: C\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Intro1\n# area: C major (Intro1 1 – A 17)\n1  | C        # tonic: the 4th is in the key\n2  | C\n3  | DbMaj7   # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n4  | Dm7      # ii of the ii–V to C\n4  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | C        # tonic: the 4th is in the key\n2  | C\n3  | Dm       # ii of G7sus: Dorian\n4  | Dm\n5  | G7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | G7       # V7 in C, not resolving: natural tensions\n7  | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n8  | F#7b5    # tritone substitute: resolves down a half step to FMaj7\n9  | FMaj7    # the F#7b5 before it makes F the key of the moment: the 4th is in the key\n9  | F\u002FE      # IV: the #4 is the key’s 7th\n10 | Dm7      # ii: Dorian, the key’s own notes\n10 | D#dim    # vii°7 of Em7: B7♭9 without its root\n11 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Dm7      # ii: Dorian, the key’s own notes\n14 | C\u002FE      # tonic: the 4th is in the key\n15 | Fm7      # iv7 from the parallel minor: Dorian, its notes\n16 | G7b9     # V7 in C, not resolving: the b9 from the symbol\n17 | Bb7sus   # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Eb major (A 17 – B 6)\n17 | Bb7      # V7 of Eb: natural tensions\n@segno 1\n@coda 16\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | Eb       # tonic: the 4th is in the key\n1  | Eb\u002FD     # tonic: the 4th is in the key\n2  | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | D7#9     # extended dominant: V7 of G7b9; b9, #9 and #11 from the symbol\n4  | G7b9     # III7 in Eb, not resolving: b9 and b13 are in the key\n5  | AbMaj7   # IV: the #4 is the key’s 7th\n5  | Am       # ii of the ii–V to G minor\n6  | Am\n6  | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: C major (B 7 – Coda2 4)\n7  | Gm7      # ii of C7b9#11: Dorian\n8  | C7b9#11  # V7\u002FIV in C: b9 and #11 from the symbol\n9  | C\u002FDb     # tonic: the 4th is in the key\n9  | Db\u002FC     # ♭II, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n10 | Bbm7     # a borrowed minor chord: Dorian, its own key\n10 | Bbm7\u002FAb  # a borrowed minor chord: Dorian, its own key\n11 | G7b9b13  # V7 in C, not resolving: b9 and b13 from the symbol\n12 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Bb       # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n14 | F        # IV: the #4 is the key’s 7th\n15 | G7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | G7       # V7 of C: natural tensions\n@nav 16 D.S. al Coda\n\nsection: Coda1\n1  | C        # tonic: the 4th is in the key\n2  | C\n3  | DbMaj7   # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n4  | Dm7      # ii of the ii–V to C\n4  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793575896584]