[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-shining-hour":3},"title: My Shining Hour\nsubtitle: Samba\ncomposer: Harold Arlen\nstyle: Latin\nkey: Eb\nform: AB, 32 bars\nrecording: John Coltrane; Coltrane Jazz; Atlantic; 1961\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1959-11-24, Coltrane with Wynton Kelly, Paul Chambers, Jimmy Cobb; chart (Colorado Cookbook, samba feel) follows no named version; songbook standard: Coltrane's is the jazz reference, over the film (Fred Astaire, The Sky's the Limit, 1943) and the Glen Gray hit (1944); Atlantic SD 1354, released early 1961; sources: Wikipedia (Coltrane Jazz, My Shining Hour)\n\n# bar | chord | scale\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n7  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7alt   # from the symbol: altered\n9  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n11 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7alt   # from the symbol: altered\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # extended dominant: V7 of Fm7\u002FBb\n15 | Fm7\u002FBb  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: B\nbars: 16\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5  | Abm7    # ii of Db7: Dorian\n6  | Db7     # back door bVII7 to Eb\u002FG: the #11 is in the key\n7  | Eb\u002FG    # tonic: the 4th is in the key\n7  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n11 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7alt   # from the symbol: altered\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n",1793484801663]