[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-romance":3},"title: My Romance\nsubtitle: Ballad or medium swing\ncomposer: Richard Rodgers\nstyle: Medium\nkey: Bb\nform: ABCD, 32 bars\nrecording: Bill Evans Trio; Waltz for Debby; Riverside; 1962\nyoutube: XEkjCQNJWiw\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded live 1961-06-25, Village Vanguard, NYC (Scott LaFaro, Paul Motian), take 1, Riverside RLP 399, released 1962; songbook standard (Jumbo, 1935) → the trio reading jazz players know best; Evans first recorded it solo on New Jazz Conceptions (Riverside, 1956); sources: Wikipedia, jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Waltz For Debby, \"My Romance (take 1)\", the same take (not take 2)\n\n# bar | chord | scale\n# the solo changes in B bars 5–6 (the head has Dm7 Db7 | Csus4 C7)\n\nsection: A\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | Cm7       # ii: Dorian, the key’s own notes\n2 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Dbdim7    # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7       # ii of the ii–V to Bb\n3 | F7        # V7 of Bb: natural tensions\n4 | BbMaj7    # tonic: the 4th is in the key\n4 | Am7b5     # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9      # V7\u002Fvi in Bb: b9 and b13 are in the key\n5 | Gm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | GmMaj7    # from the symbol: minor-major 7th\n6 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | G7        # V7\u002Fii in Bb: the b13 is in the key\n7 | Cm7       # ii of the ii–V to Bb\n7 | F7        # V7 of Bb: natural tensions\n8 | BbMaj7    # tonic: the 4th is in the key\n8 | Bb7       # V7\u002FIV in Bb: natural tensions\n\nsection: B\n1 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n1 | Ab7       # back door bVII7 to BbMaj7: the #11 is in the key\n2 | BbMaj7    # tonic: the 4th is in the key\n2 | Bb7       # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n3 | Ab7       # back door bVII7 to BbMaj7: the #11 is in the key\n4 | BbMaj7    # tonic: the 4th is in the key\n5 | Em7b5     # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | A7b9      # V7\u002Fiii in Bb: b9 and b13 are in the key\n6 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | G7        # extended ii–V: a side-step, its own key\n7 | Dbm7      # ii of Gb7: Dorian\n7 | Gb7       # extended ii–V: a side-step, its own key\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n\nsection: C\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | Cm7       # ii: Dorian, the key’s own notes\n2 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Dbdim7    # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7       # ii of the ii–V to Bb\n3 | F7        # V7 of Bb: natural tensions\n4 | BbMaj7    # tonic: the 4th is in the key\n4 | Am7b5     # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9      # V7\u002Fvi in Bb: b9 and b13 are in the key\n5 | Gm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | GmMaj7    # from the symbol: minor-major 7th\n6 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | G7        # V7\u002Fii in Bb: the b13 is in the key\n7 | Cm7       # ii of F7: Dorian\n7 | F7        # V7\u002FI in Bb: natural tensions\n8 | Fm7       # ii of the ii–V to Eb\n8 | Bb7       # V7\u002FIV in Bb: natural tensions\n\nsection: D\n1 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n1 | G7        # V7\u002Fii in Bb: the b13 is in the key\n2 | Cm7       # ii: Dorian, the key’s own notes\n2 | Cm7\u002FBb    # ii: Dorian, the key’s own notes\n3 | Am7b5     # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | D7b9      # V7\u002Fvi in Bb: b9 and b13 are in the key\n4 | Gm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Ebm7      # ii of Ab7: Dorian\n4 | Ab7       # back door bVII7 to BbMaj7\u002FF: the #11 is in the key\n5 | BbMaj7\u002FF  # tonic: the 4th is in the key\n6 | Cm7\u002FF     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F7        # V7 of Bb: natural tensions\n7 | BbMaj7    # tonic: the 4th is in the key\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n",1793484801651]