[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-one-and-only-love":3},"title: My One And Only Love\ncomposer: Wood, Mellin\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FI in C: natural tensions\n2 | G#dim   # vii°7 of Am7: E7♭9 without its root\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | FMaj7   # IV: the #4 is the key’s 7th\n4 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7      # V7\u002Fii in C: the b13 is in the key\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FI in C: natural tensions\n5 | G#dim   # vii°7 of Am7: E7♭9 without its root\nalt 5 | Dm7     # ii: Dorian, the key’s own notes\nalt 5 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 5 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n6 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of G7: Dorian\n7 | G7      # V7\u002FI in C: natural tensions\n8 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n9 | C6      # tonic: the 4th is in the key\n9 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9 | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 1 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 1 | C#m7b5  # biiø7 in C: Locrian, its own mode (the chord is outside the key)\n2 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3 | C#m7b5  # biiø7 in C: Locrian, its own mode (the chord is outside the key)\n4 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n5 | Em      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | EmMaj7  # from the symbol: minor-major 7th\n6 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7      # V7\u002Fii in C: the b13 is in the key\n7 | Dm7     # ii: Dorian, the key’s own notes\n7 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FI in C: natural tensions\n2 | G#dim   # vii°7 of Am7: E7♭9 without its root\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | FMaj7   # IV: the #4 is the key’s 7th\n4 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7      # V7\u002Fii in C: the b13 is in the key\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FI in C: natural tensions\n5 | G#dim   # vii°7 of Am7: E7♭9 without its root\nalt 5 | Dm7     # ii: Dorian, the key’s own notes\nalt 5 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 5 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n6 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of the ii–V to C\n7 | G7      # V7 of C: natural tensions\n8 | C6      # tonic: the 4th is in the key\n8 | G7      # V7 of C: natural tensions\n",1793575896523]