[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-old-flame":3},"title: My Old Flame\ncomposer: Sam Coslow\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\nrecording: Charlie Parker; Charlie Parker Vol. 4; Dial; 1950\nyoutube: Vg0ZfGUhipY\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded 1947-11-04, WOR Studios, New York, Charlie Parker with Miles Davis, Duke Jordan, Tommy Potter, Max Roach, master D1114-A (the only take), first issued on 78 (Dial 1058, with Bird Feathers), first LP 1950 (10\", Dial LP 207); songbook standard (1934) → Parker's ballad reading as the jazz reference; sources: jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Bird After Dark (Savoy), the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: G major (A1 1–5)\n1 | GMaj7   # tonic: the 4th is in the key\n1 | C13     # IV7 in G, not resolving: the #11 is in the key\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3 | Am      # ii: Dorian, the key’s own notes\n4 | Cm7     # ii of F7b9: Dorian\n4 | F7b9    # back door bVII7 to GMaj7: the #11 is in the key, the b9 from the symbol\n5 | GMaj7   # tonic: the 4th is in the key\n# area: Bb major (A1 5–6)\n5 | Cm7     # ii of the ii–V to Bb\n5 | F7      # V7 of Bb: natural tensions\n6 | BbMaj7  # tonic: the 4th is in the key\n6 | Bbm7    # ii of Eb7: Dorian\n6 | Eb7     # extended ii–V: a side-step, its own key\n# area: G major (A1 7 – A2 5)\n7 | Em11    # ii of A13: Dorian\n7 | A13     # V7\u002FV in G: natural tensions\n8 | Am7     # ii of the ii–V to G\n8 | D7b9    # V7 of G: the b9 from the symbol\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n1 | C13     # IV7 in G, not resolving: the #11 is in the key\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3 | Am      # ii: Dorian, the key’s own notes\n4 | Cm7     # ii of F7b9: Dorian\n4 | F7b9    # back door bVII7 to GMaj7: the #11 is in the key, the b9 from the symbol\n5 | GMaj7   # tonic: the 4th is in the key\n# area: Bb major (A2 5–6)\n5 | Cm7     # ii of the ii–V to Bb\n5 | F7      # V7 of Bb: natural tensions\n6 | BbMaj7  # tonic: the 4th is in the key\n6 | Bbm7    # ii of Eb7: Dorian\n6 | Eb7     # extended ii–V: a side-step, its own key\n# area: G major (A2 7–8)\n7 | Am11    # ii of D9: Dorian\n7 | D9      # V7\u002FI in G: natural tensions\n8 | Cm6     # a minor sixth chord: Dorian\n# area: Bb major (A2 8 – B 6)\n8 | B7      # tritone substitute: resolves down a half step to BbMaj7\n\nsection: B\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7b9    # extended dominant: V7 of G7alt; b9 from the symbol\n3 | G7alt   # from the symbol: altered\n3 | Db9     # tritone substitute: resolves down a half step to C7#11\n4 | C7#11   # II7 in Bb, not resolving: the #11 from the symbol\n5 | Cm7     # ii of Cm7\u002FF: Dorian\n5 | Cm7\u002FF   # static sus: Mixolydian\n6 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7\u002Fvi in Bb: b9 and b13 are in the key\n# area: G major (B 7 – A3 5)\n7 | Em11    # ii of A13: Dorian\n7 | A13     # V7\u002FV in G: natural tensions\n8 | Am11    # ii of the ii–V to G\n8 | D7alt   # from the symbol: altered\n\nsection: A3\n1 | GMaj7   # tonic: the 4th is in the key\n1 | C13     # IV7 in G, not resolving: the #11 is in the key\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3 | Am      # ii: Dorian, the key’s own notes\n4 | Cm7     # ii of F7: Dorian\n4 | F7      # extended ii–V: a side-step, its own key\n4 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7 of G: the b9 from the symbol\n5 | GMaj7   # tonic: the 4th is in the key\n# area: Bb major (A3 5–6)\n5 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n5 | F7      # V7 of Bb: natural tensions\n6 | BbMaj7  # tonic: the 4th is in the key\n6 | Bbm7    # ii of Eb7: Dorian\n6 | Eb7     # extended ii–V: a side-step, its own key\n# area: G major (A3 7–8)\n7 | Am11    # ii of the ii–V to G\n7 | D7alt   # from the symbol: altered\n8 | GMaj7   # tonic: the 4th is in the key\n",1793484801644]