[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:my-heart-stood-still":3},"title: My Heart Stood Still\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 2)\n1  | FMaj7  # tonic: the 4th is in the key\n1  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | F7     # V7\u002FIV in F: natural tensions\n4  | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7    # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7b13  # V7\u002Fii in F: the b13 is in the key\n6  | Gm7    # ii of C7: Dorian\n6  | C7     # V7\u002FI in F: natural tensions\n7  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7b9   # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n9  | F6     # tonic: the 4th is in the key\n10 | F6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Fm7    # ii of Bb7: Dorian\n2  | Bb7    # extended ii–V: a side-step, its own key\n# area: C major (B 3–7)\n3  | G7b9   # V7 of C: the b9 from the symbol\n4  | CMaj7  # tonic: the 4th is in the key\n5  | Dm7b5  # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7     # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7  | Db7    # tritone substitute: resolves down a half step to C7\n# area: F major (B 8 – A2 8)\n8  | C7     # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7  # tonic: the 4th is in the key\n1  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | F7     # V7\u002FIV in F: natural tensions\n4  | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7    # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7b13  # V7\u002Fii in F: the b13 is in the key\n6  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n7  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n",1793575896381]